Rowland Concerto integrated vs Rowland Capri & 102


Extensive searching on AG, and Google for that matter, has resulted in little definitive info, just a couple of second hand comments that "maybe" the Capri/102 bests the older Concerto integrated.

I already own the 102 amp, so the Capri seems like an obvious choice, but the Concerto's 250W seems like it would have more punch, on paper at least, over the 100W 102. One less IC, one less power cord, and even the nice blue display are also more enticing.

Anyone have any real world experience/opinions on one over the other?

Thanks!
rkny

Showing 9 responses by rkny

Sorry, forgot to add that the other option I am considering is a Bel Canto S300iu. Any opinions of it vs the Concerto would be welcomed.

And while I'm at it, has anyone successfully used an Apple TV's optical out with the S300iu's on board DAC? Does a toslink to USB converter cable exist?

Thanks again.
oh and thanks Guido for the input! I have to admit I have no idea what a PFC is or does.
Well PFC or no PFC, I went for a lightly used Rowland Capri. It just didn't make sense to lose money by selling the existing 102 amp.

Now then, while I await shipment of the Capri, can anyone enlighten me as to what sonic improvements I might enjoy with it? I'm not expecting a huge difference, but I really haven't auditioned the Capri. I just know I like the sound of the102, even as it was being preamped by an Arcam Solo (odd combo that it was).

It's interesting that there are audiophile glossaries on the web, but not much in the way of basic primers for budding enthusiasts. I Googled for ages looking for some simple pre-amp FAQs, or answers to basic questions like, what should a good pre-amp do to improve your sound? What differences should you be able to hear in a $1500 power amp vs. a $200 Best Buy closeout receiver? The best I could do was browse myriad discussion threads and look for sage-sounding advice.

Some of these audio manufacturers could probably sell a lot more gear if they spelled out, in not quite so technical, and in not such an assuming way, exactly why it is one should want their products over an old Sony dorm stereo.
Interesting. Thanks. Will keep my eye out for it.

I got the Capri today. Paired with the 102, the sound is nothing short of magical. My sole source is an Apple TV with medium to high bitrate mp3s and AACs, and a smattering of Apple Lossless files. I can only imagine what it would sound like with a nice CD player (my CD days are over). The 102 combined with the Arcam Solo was nice, but the Capri is on a whole different level.
I'm not compressing music anymore. I started my digital music collection in 1998, when I didn't know any better. Much of the collection was from those dark days. And I stupidly sold off most of my CDs, so re-ripping is not an option.

On a side note, I experienced something odd today. I have the Apple TV hooked up to my TV via HDMI. I also run RCAs direct from the Apple TV to input 2 on my Capri. My TV is also connected to the Capri via RCA at input 1.

Apple TV simultaneously outputs sound via HDMI and RCA; this I knew. But by accident, after setting things up, I listened to a few tracks with the Capri set to input 1 (the TV). The sound was great. When I realized I was listening to the Apple TV via TV to Capri, I switched over to input 2 (Apple TV direct to Capri) and the sound was identical. No noise. No loss of signal. Identical. I A/B'd multiple times.

Does this mean the Apple TV's output is so bad that it doesn't matter what I pipe it through? Could the HDMI possibly render an identical signal as RCAs direct from the Apple TV? It seems so odd not to hear any difference, even after the signal has passed from an HDMI cable, thru a Samsung TV, out via cheapo Samung RCA ports, into the Capri with some lower end (but nice sounding) ICs.
Did you by chance listen to just the Capri? Wondering what the sonic benefits of this mysterious new product might be.