I’m currently awaiting my GIK 244 broadband absorbers for my first reflection points. I bought numerous Quadratic Fractal Acoustic Diffuser Panels made from styrofoam. I’m currently using them in my first reflection points till the 244s arrive in a couple weeks. Next will be corner traps and possibly a couple clouds. I honestly don’t think I’ll need the clouds. My ears are 34” off the floor and I have 10’ ceilings so the delay would be well past the limit for needed absorption. Also my room is not enclosed, it’s a dining room with a 3’x8’ and 8’x8’ passageways. The larger passage way is to my rear, so that is wonderful for my rear reflections. https://systems.audiogon.com/systems/8398#&gid=1&pid=9
Room Treatment
"We’re all generally used to acoustically untreated rooms, so we don’t even realize what a difference they can make. But when sound bounces off walls before reaching the listener (or microphone, in the case of the studio) it gets muddy. The short delay in the reflected sound causes a subtle echo effect that greatly reduces clarity and distinguishability.
Sound absorption acoustic panels effectively cut the reflections off hard surfaces in the room and leave you with just the clean, direct, unadulterated sound. This is why movie theaters have giant panels on every wall. In a home theater or studio, It’s like combining the clarity of headphones with the power of your surround sound speakers or instrument!"
Sound absorption acoustic panels effectively cut the reflections off hard surfaces in the room and leave you with just the clean, direct, unadulterated sound. This is why movie theaters have giant panels on every wall. In a home theater or studio, It’s like combining the clarity of headphones with the power of your surround sound speakers or instrument!"