Room Analysis-How?


So I’ve seen a number of YouTube videos and the like where people have conducted an analysis of their listening room or home theater to help optimize speaker placement, room treatment and subwoofer settings. It appears that they use a variety of software and microphones. And then the result is a series of graphs that show high and low spots in the frequency range.  And the it helps them with placement and room treatment. I like my system and it sounds pretty good to me in my room. That said, I’ve always been a little intellectually curious as to what the charts and graphs would say about my room. And if I could make it sound better.  So are there companies that do this sort of analysis you can hire? Or is there downloadable apps that are relatively dummy proof and user friendly while doing a good job?  Other?

rjduncan

@rjduncan - at the risk of appearing verbose given my long post above, I thought the following testing might be of interest to you.
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I wanted to evaluate how music sounds using 3 different EQ correction scenarios. This wasn’t an advanced scientific experiment—just a practical comparison for my ears.

Test Scenarios

· Measurements taken using 1/6th smoothing: 6 PEQ filters per channel below 500 Hz, optimized by OmniMic.

· Measurements taken using 1/12th smoothing: 6 PEQ filters per channel below 500 Hz, optimized by OmniMic.

· Measurements taken using 1/24th smoothing: 6 PEQ filters per channel below 500 Hz, comparing OmniMic’s settings to Kevin’s (my own) manual PEQ settings.


Listening Impressions

Here’s what I heard:

· 1/6th smoothing and EQ: The sound was dull, less engaging, and lacked dynamics.

· 1/12th smoothing and EQ: The sound was wonderful—dynamic, clear, and highly detailed.

· 1/24th smoothing and EQ: The sound was slightly more refined and polished than 1/12th, but possibly a touch less dynamic and engaging.
 

A Common Baseline for Comparison

To compare the results more fairly, I applied EQ corrections and then smoothed the 1/12th and 1/24th measurements to 1/6th smoothing—the “lowest common denominator.” Even at this level of smoothing, the results ranked as follows:

· 1/24th smoothing was the best on paper.

· 1/12th smoothing was a close second.

· 1/6th smoothing was noticeably worse.



EQ Adjustments: Cuts and Boosts

I also tallied the total cuts/boosts across the 12 PEQ filters:

· 1/6th smoothing: Total of 20.9 dB (average cut/boost: 1.9 dB).

· 1/12th smoothing: Total of 57 dB (average cut/boost: 4.4 dB).

· 1/24th smoothing: Total of 48.5 dB (average cut/boost: 4.0 dB).


This tells me that:

· 1/6th smoothing oversimplifies the data, hiding peaks and nulls. The result? Smaller EQ adjustments that are insufficient and leave the sound quality lacking.

· 1/24th smoothing reveals far more detail, including larger peaks and nulls, leading to more aggressive EQ adjustments.



Key Points

· Too much smoothing (like 1/6th) masks real issues in the frequency response, causing under-correction and dull sound.

· Too little smoothing (like 1/24th) exposes a lot of detail, which can require higher amounts of EQ. While it refines the sound, it may sacrifice some engagement and dynamics.

· 1/12th smoothing strikes the best balance—it exposes enough detail for meaningful corrections while preserving clarity, dynamics, and musicality - it was my "Goldilocks zone."


Final Thoughts

In my experience, what measures best doesn’t always sound best. For my ears, 1/12th smoothing and its corresponding EQ settings hit the sweet spot. It produced the most enjoyable and balanced sound without overdoing the corrections.

Thanks to everyone that chimed in on this thread.  My wife was out of town this weekend which gave me the opportunity to spend a lot of time on Saturday and Sunday becoming a novice, yet capable user of REW and analyzing my room.  I also bought the Master Handbookf of Acoustics and began to read.  I've already learned a ton!  My analysis this weekend led me to make meaningful changes to my main speaker positions and primary listening spots.  I made sub woofer adjustments in the crossovers and volumes.  I experimented with moving certain furniture around.  I had a large null in the 200-230HZ range in the beginning that I've now worked to an acceptable level.  And then after all the adjustments I applied my ears and tweaked a little more.  My room, which was impressively pretty good before I even started this analysis (dumb luck I suppose, perhaps helped by a wife with good furniture/decoration taste and placement!) sounds better than ever!  This will be iterative over time.  I'm guessing I'll experiment with panels, diffusers and traps as time goes on.  Who knows.  But this was fun, my room is better today and I'm thankful to those of you who posted to encourage and guide my endeavors in acoustical analysis!

@rjduncan   Fantastic!! It is amazing how we may have settled into what we thought was good sound, only to discover it can get better with minimal effort!

Keep us posted.