@rjduncan - at the risk of appearing verbose given my long post above, I thought the following testing might be of interest to you.
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I wanted to evaluate how music sounds using 3 different EQ correction scenarios. This wasn’t an advanced scientific experiment—just a practical comparison for my ears.
Test Scenarios
· Measurements taken using 1/6th smoothing: 6 PEQ filters per channel below 500 Hz, optimized by OmniMic.
· Measurements taken using 1/12th smoothing: 6 PEQ filters per channel below 500 Hz, optimized by OmniMic.
· Measurements taken using 1/24th smoothing: 6 PEQ filters per channel below 500 Hz, comparing OmniMic’s settings to Kevin’s (my own) manual PEQ settings.
Listening Impressions
Here’s what I heard:
· 1/6th smoothing and EQ: The sound was dull, less engaging, and lacked dynamics.
· 1/12th smoothing and EQ: The sound was wonderful—dynamic, clear, and highly detailed.
· 1/24th smoothing and EQ: The sound was slightly more refined and polished than 1/12th, but possibly a touch less dynamic and engaging.
A Common Baseline for Comparison
To compare the results more fairly, I applied EQ corrections and then smoothed the 1/12th and 1/24th measurements to 1/6th smoothing—the “lowest common denominator.” Even at this level of smoothing, the results ranked as follows:
· 1/24th smoothing was the best on paper.
· 1/12th smoothing was a close second.
· 1/6th smoothing was noticeably worse.
EQ Adjustments: Cuts and Boosts
I also tallied the total cuts/boosts across the 12 PEQ filters:
· 1/6th smoothing: Total of 20.9 dB (average cut/boost: 1.9 dB).
· 1/12th smoothing: Total of 57 dB (average cut/boost: 4.4 dB).
· 1/24th smoothing: Total of 48.5 dB (average cut/boost: 4.0 dB).
This tells me that:
· 1/6th smoothing oversimplifies the data, hiding peaks and nulls. The result? Smaller EQ adjustments that are insufficient and leave the sound quality lacking.
· 1/24th smoothing reveals far more detail, including larger peaks and nulls, leading to more aggressive EQ adjustments.
Key Points
· Too much smoothing (like 1/6th) masks real issues in the frequency response, causing under-correction and dull sound.
· Too little smoothing (like 1/24th) exposes a lot of detail, which can require higher amounts of EQ. While it refines the sound, it may sacrifice some engagement and dynamics.
· 1/12th smoothing strikes the best balance—it exposes enough detail for meaningful corrections while preserving clarity, dynamics, and musicality - it was my "Goldilocks zone."
Final Thoughts
In my experience, what measures best doesn’t always sound best. For my ears, 1/12th smoothing and its corresponding EQ settings hit the sweet spot. It produced the most enjoyable and balanced sound without overdoing the corrections.