at the end of the day, it's really the midrange that separates and defines the sustainable classics.If you listen mostly to vocal, small chamber, non-amplified music, I don't think that there can be any dispute. Not sure how big your speakers are but for a nearfield desktop set-up, I am thrilled w my NHT M00 active monitors. They even have a near-field setting and manage to image pretty well even w dual, 20" flat screen monitors between them. I have them set up on the angled Aurulex foam wedges and could not be happier. Driving them w the output from an HRT II+ DAC, playing FLAC files and also streaming Pandora 1. MUCH smaller than the TSMs; not much bigger than the NHT Super-zeros, and there is also a matching (S00) sub. And this from a confirmed tube-aholic.
Rivaling or Beyond the ESL 57 for Magical Midrange
For several years now I have been listening to a now well broken in pair of ATC SCM 7's on my desktop.
I may try to write at further length on these speakers, but for now can say they are the only component I have owned since 1979 that I can't imagine selling for fear of seller's remorse.
They are small and not perfect, limited in their bass response, and although I treasure amazing imaging, I don't get much with them crammed on my desktop amidst other components, computers, keyboards, books and papers.
Yet turned in at about 45 degrees - a mere 24" from each ear in a nearfield, speaker / headphone like configuration, I continue to love, love love them for WAV files, television, iTunes, computer sounds etc.
I enjoy them so much, that I usually ignore my ARC SP11, Levinson amp and Magneplanar Tympani IVa's which need to be warmed up and turned up, preferably with my head in a vice for the perfect sweet spot.
With the ATCs, I marvel at their clear but to my ears fatigue free midrange, particularly at low volumes - even with pretty ordinary, middle of the road components: currently Crown D75A amps used as monoblocks, generic cabling and the admittedly good Antelope / Zodiac DAC as a DAC and a preamp / switching device of sorts.
This reminds me of my lifelong theory that after the neurotic pursuit of high resolution airy highs, powerful bass and high dynamics and volume - at the end of the day, it's really the midrange that separates and defines the sustainable classics.
I suspect this is why dusty and quirky old Quads and original LS3%as are still coveted by collectors for prices far above their original retail prices.
Of course as an audiophile, I still can't resist the thought of an upgrade.
So I would love to hear your thoughts on MAGICAL MIDRANGE particularly at low volumes.
Thinking about trying Harbeth P3SERs and open to suggestions.
In the meantime and until further notice the overall balance and midrange on my ATCs are about as good as anything I have ever heard and bravo Mr Woodman.
Cheers,
cwlondon
I may try to write at further length on these speakers, but for now can say they are the only component I have owned since 1979 that I can't imagine selling for fear of seller's remorse.
They are small and not perfect, limited in their bass response, and although I treasure amazing imaging, I don't get much with them crammed on my desktop amidst other components, computers, keyboards, books and papers.
Yet turned in at about 45 degrees - a mere 24" from each ear in a nearfield, speaker / headphone like configuration, I continue to love, love love them for WAV files, television, iTunes, computer sounds etc.
I enjoy them so much, that I usually ignore my ARC SP11, Levinson amp and Magneplanar Tympani IVa's which need to be warmed up and turned up, preferably with my head in a vice for the perfect sweet spot.
With the ATCs, I marvel at their clear but to my ears fatigue free midrange, particularly at low volumes - even with pretty ordinary, middle of the road components: currently Crown D75A amps used as monoblocks, generic cabling and the admittedly good Antelope / Zodiac DAC as a DAC and a preamp / switching device of sorts.
This reminds me of my lifelong theory that after the neurotic pursuit of high resolution airy highs, powerful bass and high dynamics and volume - at the end of the day, it's really the midrange that separates and defines the sustainable classics.
I suspect this is why dusty and quirky old Quads and original LS3%as are still coveted by collectors for prices far above their original retail prices.
Of course as an audiophile, I still can't resist the thought of an upgrade.
So I would love to hear your thoughts on MAGICAL MIDRANGE particularly at low volumes.
Thinking about trying Harbeth P3SERs and open to suggestions.
In the meantime and until further notice the overall balance and midrange on my ATCs are about as good as anything I have ever heard and bravo Mr Woodman.
Cheers,
cwlondon