Richard Green room tune?


Has anyone used the freestanding Richard Green room tune or tune packs acoustical treatements? To what results? I'm looking to tame the brightness in my 11 x 15 room.
dgplo

Showing 4 responses by herman

I agree, most people when trying to deal with a room put in way too much absorption. Most recording studios do too. I think that is one reason most live recordings have an energy that most studio recordings lack.

If you look at the Eighth Nerve products and philosophy they only deal with the nastiness that comes back at you from the corners.
Trelja, you are correct that the Michael Green and the first generation Eighth Nerve products are very similar. The second generation Eighth Nerve stuff uses the same idea but is more effective. The idea behind these products is to trap the energy that goes into the corners. In order to do this the front surface reflects and the back absorbs with space around the edges to let the energy get behind. You will need to incorporate this into your DIY because without the reflective surface they will not work as intended.

Even though I'm sure they will be better than nothing, given the fact that manufacturers go through many prototypes with a wide variety of materials to finalize their designs it seems unlikely you will hit upon the most effective combination of materials and dimensions on your first try. Of course the journey is sometimes more fun than the destination so enjoy your project. It will be interesting to hear (pun intended) how well your version works.
Robm, you are correct that these products are not based on rocket science. They are not inventing new substances with magical acoustical properties. Rather it is fundamental principles applied well in an attractive package including convenient mounting brackets at a reasonable price. They are designed for those who don't have the time, skills, confidence, and/or resources to go DIY. I built my own amp but I would rather pay for these products. Working with fiberglass is something I want no part of.

Trelja, I looked around at Jon Risch's stuff and don't see where he covers the same ground as these corner treatments. Of course the discussion on the absorption properties of the different materials applies, but his stuff is either designed to trap bass frequencies or (in direct contradiction to the Eighth Nerve philosophy) to put absorption at reflection points.

Let us know how your's work out. Pictures would be nice.