Review: Denon DL-110 Cartridge


Category: Analog

While delving through my stash of phono cartridges came across this Denon DL 110 high output phono cartridge. Can't remember where this came from, but was new in box and never open. Oh well, remember fellow audiogon member Ed Kobesky had done a review on its big brother the Denon DL 160 and found that I agreed with him completely on the DL 160.

Have owned many Denons in the past 47 years in the hobby such as the 103,103D,103S,103R as well as the DL160 and now the DL 110. It is very hard to fault the overall Denon line of phono cartridges and when it comes to price/performance ratio, nothing else even comes close to the sonic superioirty of the Denon line up. And that has held true for well over 30 years.

With what we have in analog turntables and software today,with the vast majority of the used LPs to me it just doesn't make sense to spend tons of dollars in this medium,for it is all limited to the source material that is available.

Some of the so called new 180 gram and 200 gram pressings are worse in quality than finding a pristine or good used example from years gone by. There have been very few so called audiophile pressings that are worth the money to buy and some are just horrid sonically. Beware of the new audiophile pressings most are not worth the money spent on them.

Same with the hardware, turntables over $1,000.00 generally won't perform any better than a $500.00 table and much can be said of phono cartridges as well. In my opinion spending more than $400.00 in a phono cartridge is sheer lunacy. But it is your money and do spend it as you wish and remember the words of PT Barnum in doing so.

By any standard one would care to judge the venerable Denon DL 110 Moving Coil cartridge,one must agree that for its price point, this is a stellar phono cartridge,that his stood the test of time and continues to impress to this day. If memory serves me correct these broke onto the market in 1982 or so at about $125.00 retail for the DL 110 and now some 25 years later still in production and the retail price has gone up by $15.00 dollars to $140.00. Now thats value par excellence.

But none of the above would matter, if the DL 110 did not deliver the music. It does and has that wonderful Denon signature. The Denon DL 110 has a way of getting into the grooves and extracting the information contained therein with total authority. And when playing used vinyl there is hardly a better performer than the Denon DL 110, it will play vintage vinyl with aplomb, where other and more expensive phono cartridges just give up. Due to its diamond shape surface noise is all but non-existent. As well as several albums I have played that I thought had surface noise,when played by the Denon DL 110, that noise was gone!

Listed below are some of the Albums I used to audition or more precise to reaudition with the Denon DL 110.

Albums Are:

Bob James - Hands Down (Columbia FC 38067)
Hiroshima - Self Titled - (Arista MFSL1-525)
John Coltrane - Blue Train - (Blue Note BST 81577)
Wes Montgomery - Bumpin' - (Verve V6-8625)
Rickie Lee Jones - Self Titled - (Warner BSK 3296)
Wynton Marsalis - Live Blues Alley - (Columbia PC2-40675)
Eric Gale - Forecast - (KUDU Records KU 11)(CTI Records)
Kenny Burrell & Grover Washington Jr - (Blue Note BT 85106)
Earl Klugh - Finger Painting - (Blue Note MFSL 1-025)
Larry Carlton - Friends - (Warner 23834-1)
Sadao Watanabe - Autumn Blow - (Inner City IC 6064
Doobie Brothers - Minute by Minute - (Warner BSK 3193)
Santana - Zebop - (Columbia FC37158)
Pat Metheny Group - American Garage - (ECM 1-1155)
Frederick Fennel - Cleveland Symphonic Winds - (Telarc 5038)

A few others were used as well, but this gives you the idea of the music used.

I am not going to go into a long narrative and blow by blow description of each album and the resulting findings. But make no mistake the Denon DL 110 played all the above with a verve to total musicality. Balance,tonality,attack,decay, were spot on. Great frequecy response and channel separation to die for.

Here is a product that truly delivers well over its price range and how Denon can keep producing this stellar performer for $140.00 is a mystery to me. But I am certainly glad that they can.

Specs Below:

Denon DL-110 Specifications:

Output: 1.6mV

Stylus: Special Elliptical Solid Diamond

Cantilever: Aluminum

Frequency Range: 20 to 45,000 Hz

Tracking Force: 1.5-2.1g

Weight: 4.8g

Found that in my rig a setting of 2 grams tracking force with 2 grams anti skate worked just fine and yielded the best results.

In phono cartridges of today, one can do far worse in not picking the Denon DL 110. In my opinion having been around as long as I have in the hobby, this is an Icon product, that not only has withstood the test of time, but continues to do so today.

So when your ready to jump off the snob bandwagon and start to really enjoy the music again, the Denon DL 110 or Denon DL 160 will be waiting for you. After all in the long run this hobby is about the music and not the gear and paranoia that surrounds this hobby.

My thanks to Ed Kobesky for his review on the Denon DL 160 which prompted this review on the Denon DL 110. If it had not been for that review may have put the DL 110 up for sale, instead of using the DL 110 and would have missed a very musical experience. This has been a very pleasant surprise and reaquaintance with the Denon DL 110. This is one cartridge I will just wear out, then get another DL 110.

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ferrari
High enough output for the Bellari? I want to get the VP 129 and use it with the DL-110. Is the Bellari capable of dring this 1.6mV cartridge?
this cartridge puts our 2.1mV +/- .1.

this ~might~ be as low the Bellari wants to go as long as your line preamp has a sufficient ammount of gain, say 20mV.

you might also want to add a NOS tube in there - might get a wee bit more gain from it.
Well, I've since been advised that the DL-110, though "high-output", is still lower than the standard MM cartridge and thus is not likely to do well with the Bellari. So I'm getting a used/excellent Black Cube (MM AND MC settings) for about the same price as a new Bellari. I'm happy now!
can anyone confirm or deny the experience that i've had with the 110 on 2 decks (nottingham interspace and linn axis) that the sound, while very very good, is a bit icy. not icy as in cold or clinical but icy as in the opposite of lush. ie, if grado woodies and koetsus are on the warmish side (and denons 103 for that matter)... the denon is slightly on the coolish side?

thanks
I would not characterize the Denon 110 or 160 as cold and icy by any means. However a lot has to do with the tonearm,preamp,cabling,proper setup,VTA,overhang adj, etc.

Given all those parameters I have found these Denon DL 110 and 160 to be on the warm side of neutral on my system and other systems I have used. No the Denons are not in the exalted league of esoteric Moving Coils. But your not paying that price either. The Denons are just musical and non fatiquing to listen to. The Denons do not do one thing very well, but do the entire musical spectrum very well.

I have had some very high end Moving Coils over they years such as my last high end Moving Coil the Dynavector 17D Mk II, now since retired. The Denon DL 160 is my everyday phono cartridge and have a Denon DL 110 as back up. Should I become somewhat fumbled fingered and break the Denons, it won't cause me to go into heart failure. The price points on the Denons are very easy to live with and offer about 95 percent of the performance of the estoeric brands.

Being retired now,I listen a lot about 20 to 30 hours per week. I have yet to tire of the Denon DL 110 and DL 160. Having been in this hobby since 1957, in my opinion the Denons offer the magical big sound for the dollar.