Review ATC SCM 40 A floorstanders.....finally


I thought I knew.  I thought I knew all about imaging, dynamics, resolution, PRaT, all the audiophile buzz words allowing one into the coded audiophile secret society pontifications.  I got schooled.  It’s called ACTIVE.  Everthing I’ve been yearning for has been solved with my new ATCs.  They just do musical reproduction with immediacy.  The attack is instantanious.  Bad recording, bad reproduction.  Great recording, great reproduction.  Period.  Fin.  Ende.

I’ve progressed through some fairly serious talent.  Great equipment I’ve enjoyed over the decades: always the journey, never having arrived at the ultimate destination.  I do not know why it took so long to depart the traditional souce, preamp, monoblocks, cabling and transducers formula.  I hope this encourages others to at least consider leaving the world of so many pieces and cabling.

System:  Naim UnitiServe with unknown serious external PSU, Nordost Valhalla II digital cable, Mojo Audio Mystique V3 DAC, Manley Neo Classic preamp with Takatsuki 300B tubes.  Decware ICs, Patrick Cullum Crossover II PCs, Furman IT Reference 15i power conditioner.  All components sit on Quadraspire Reference X stand.  Wireworld Silver Elipse 8 RCA to XLR interconnects from Manley 300B to ATCs.  Isoacoustics Gaia II footers.  I’m really there for now.  Tchau
celtic66

Showing 1 response by phusis

@celtic66 --

They do lose some sparkle at low volume, but then don't most systems? I will not say that they got flat, just less impressive.  But at moderate listening levels it all comes together. 

First, congratulations on your active ATC's - great speakers :)

The "loss of sparkle" at lower volumes is not a unique observation where ATC speakers goes, so you've got to wonder about a possible tendency here. Personally I hear it differently and am inclined to instead focus on their traits at higher volumes, where you get the feeling they're dynamically less restricted than the vast majority of (direct radiating) hifi speakers. 

If anything ATC speakers are monitors in the best, or at least better sense of the word, meaning there's no added "sparkle" (the operative word, it seems), air or excess energy in the high frequencies, nor any boost, bloat or fatness in the lower frequencies - a sans loudness effect, if you will - and this may apply less favorably at lower volumes. Perhaps ATC speakers this way "clicks into place" better at more realistic volume levels that emulates live music SPL's and dynamics. 

Your observation therefore, from a certain perspective, is not without merit; horn speakers to me inherently "ignite" better at lower volumes compared to most any direct radiating alternative, which is one of the reasons I wound up going this sonic route instead (initially I had planned on buying the ATC SCM150 ASL Pro, one of the best speakers I've ever heard).