Phil Spector introduced his "wall of sound" back in the 50's. Basically he had the vocalists in correct phase and the backing instruments out ophase. What this did was to make the intruments sound 'big' as the out of phase recording smears the the fine detail and creates a bigger subjective image. The voices remain in sharp focus however, and give the overall tune a nice presence.
In the film commentary of the Commitments, Alan Parker does the same thing. In order to showcase the vocalists he plays back the backing instruments out of phase, while keeping the voice in correct phase.
In the case of the Sheffield labs disc. I think they just screwed up....
Stu
In the film commentary of the Commitments, Alan Parker does the same thing. In order to showcase the vocalists he plays back the backing instruments out of phase, while keeping the voice in correct phase.
In the case of the Sheffield labs disc. I think they just screwed up....
Stu