Reel to reel , is it real the hype!


I am thinking of venturing into the realm of reel to reel.
I have access to purchase an otari mtr10, with enhanced 1/2 “ head block, refurbished and recapped for 9k.
my system is in brief is ayre kxr and mxr twenties playing through magico M3 with Jl audio Gotham subs. Front end digital is souped up wolf streamer pure digital capable of playing 512 and 1024 dsd files , t+a sd 3100hv dac( capable of playing 1024 dsd native . Front end analogue is sme 30/2 with Lyra Etna lamda sl catridge playing through vandenhul grail Se+ phono stage.( please see my system page for details )
my question is will the otari give me better performance than my digital and vinyl front end . Thank you in advance .
newtoncr

Showing 2 responses by mijostyn

There are very few if any "old copies." Back in the early 60's pre recorded tapes were the way to go if you wanted the best sound. My father had an Ampex tape machine for playing them back. Classical and jazz were well represented. All the tapes were at 71/2 ips and made on the cheapest stock. Hiss was always an issue. The vast majority have disintegrated by now. All my inherited ones have been gone since 1976. My Revox A 77 was becoming mechanically inept and I decided not to have it rebuilt as by then the market for pre recorded tapes had dried up. 
$100 for a tape? Try $400 to $500. That is 16 to 20 records or files. I would rather have the records or files than demonstrate to others what a sophisticated audiophile I am. If you are rich enough to do both than who am I to argue but, in my mind it is, in the end, all about the music. I would not mind having an old Scully as a museum piece like an old Victrola.
Every time you make an analog copy more degradation is added. 

I owned a Revox. It fell apart after 10 years.

Tape machines relative to a turntable are complex machines. They require a lot of maintenance. 

I won't do it again under any circumstance. Even if you do not think that high resolution digital files 96/24 and above do not sound quite as good they represent a far less expensive and far more reliable situation than reel to reel tape. There are many that argue digitally recorded material sounds best in high res files. Mastered correctly, without much compression, I am inclined to agree. The industry moved away from reel to reel for a reason. These people are not stupid and they listen to live musicians all day long. If anyone knows what music is supposed to sound like it is them.