@oldaudiophile,
The popularity of Tergitol 15-S-9 is that its a superior nonionic surfactant to Triton X100 (which I discuss Chapter XI) or Kodak Photoflo (which I discuss Chapter VIII).
If you read the first part of Chapter X, there is no real mold release compound. "X.1.5 Lubricant: 0.4% of an esterified montan wax. The wax also acts as a mold release. When the record is removed from the press without the lubricating effect of the montan wax ester in the compound, the grooves of the record are sometimes fractured, torn, and deformed by the removal. These faults in the groove produce noise on playback. Montan wax ester at the stated percentage is compatible with the resins and is homogenized into the surface of the record at the normal pressing temperature. If more than the stated amount of the montan wax ester is used, the excess amount is not absorbed into the surface of the record. Its presence results in non-uniformity in the surface of the record, particularly as related to the friction between the stylus and the groove. This non-uniformity produces noise when the record is played. Some of the many forum discussions on removing mold release may actually be associated with excess lubricant."
"An approach I'm contemplating is using LAST POWER CLEANER as a pre-cleaner, prior to the 40 kHz UCM." LAST POWER CLEANER is $280/4-oz
Last - Power Cleaner | Shop Music Direct. I pre-clean (as specified in the book) with Alconox Liquinox ($21.99/Qt)
Amazon.com: Alconox - 1232-1 1232 Liquinox Anionic Critical Cleaning Liquid Detergent, 1 quart Bottle : Health & Household; tech sheet here
Liquinox_tech_bull.pdf (alconox.com)
which is then diluted 100:1 for 1%. So, 1-qt will make 100-qts of cleaner.".
Mobile Fidelity did not do well on their answer; its not their swim-lane.
Take care,
Neil