I still purchase recorded music based on the quality of the performance only. The high-end system enables the great performance to sound the best possible. I could care less if another recording is technically better in an engineering sense. I have updated recordings if a better re-issue of the same performance comes out (or if I find a better performance). So now that you have a system you like, go back to your old way of thinking.
Recommend me a good psychologist
I used to be a happy guy with a huge passion for music, especially classical music. Music was so important in my life that I almost quit my final engineering studies (electrical) to enter to the conservatory dreaming to be one day a great orchestral conductor. I realized that it was too late to continue with that dream and decided to finish the electrical engineering. I used to enjoy so much my classical music cd’s with my 70 bucks sony discman (with megabass!) that I really did not care about the perfect sound but the perfect performance. I used to be really transported by music until I accidentally met “Mr. High-End” in Internet. That was about two years ago when I finally decided to get a “dream stereo system” with a budget of $2000 (wow!!). To make this story short, I was entrapped by “Mr. High-End” and ended with a $10000 buck system after an extensive search and auditions of components. The very sad part of this story is that I enjoyed more the music with my old cheap discman than with this high-end thing. YES, the high-end system sounds much better but now I can not concentrate in the musical message but in those terms well known in the audiophile world (soundstage, microdynamics, warm, bright, transparency, focus, image, bla bla bla…). Now I find myself buying music that is well recorded and sounds good with this system and not the music that I used to love. To be honest, I would have preferred to meet Mr. High-End NEVER. Do I need to visit to the psychologist? Whom do you recommend me?
- ...
- 18 posts total
- 18 posts total