“Real” bass vs. “Boom” — how do you know which?


Hi,

I'm working on positioning a new pair of Ohm Walsh 100's in my listening room. I think I'm getting close to an optimal positioning with regard to soundstaging and imaging, but I'm less sure when it comes to tonal balance.

How can you tell if the bass you're hearing is “real bass” vs. ”boom“ from room interactions?

Oddly shaped room, around 12' x 15', wood floors, speakers placed asymmetrically (out of necessity) along long wall: both speakers are 20 inches from rear wall. Right speaker is 16 inches from right wall, left speaker is around 5 feet from left wall. Two pieces of soft furniture: day bed (listening position) opposite speakers, and lounge chair to left of left speaker. Windows on three of four walls, with soft blinds on them, although I've generally been more pleased with the sound with the shades up.

Thanks in advance!!
rebbi

Showing 1 response by pryso

Two possibilities -- listen or measure.

Listen; you must already have recordings with reasonable bass information (<200 Hz). Select a few with what you believe to be the cleanest bass (electric or acoustic bass, low end piano or organ, synthesizer, etc.) and listen at a high/average level. Pay attention to how well different instruments are defined and whether or not there is a dominant tone, regardless of instrument. The "boom" that some have mentioned will often occur around 60 Hz and jump out at you. I'm not a fan of using drum recordings since the bass drum will have one note pitch so will not offer the differentiation I look for.

Measure; while the RS meter may not be a precision instrument, you are looking for differences, not absolute values, so it should work fine. Mount the meter on a tri-pod at your listening position and make notes of the values shown for a test disc such as the bass response segment from one of the Stereophile discs. First set loudness to your normal listening level, then note the dB for the 1K tone. Next write down the dB level for each frequency from 40 to 200 Hz. Any peak tones will be obvious. The goal is to achieve the smoothest bass response possible - the least total dB variation from the 1K baseline when adding up all base frequency measurements. I've used this method to fine tune speaker position with good success.