I have tried many different tweaks for cd playback, but have not tried rain-x. I have some in the shed and will give it go . These are my finds . Stoplight helps mostly on poor quality cdp,s. Green pen similar to Stoplight but not as effective. Finyle surface treatment has the same effect on good and poor player,s(not always an improvement depending on the disc)sometimes over softening of attack or transients. The best I found is a zerostat used for LP,s . Use it the same as you would for an album on both sides of the cd. Don,t discount until you try it. I read research paper on this back a while,that stated when a cd/dvd is manufactured it will have a static charge on the suface that has negative impact on the reading of the lazer.
Rain-X as CD Enhancement Treatment
I have used the Auric Illuminator treatment on my CD collection for several years now. I am a believer in the AI, and repeated A/B tests of identical treated/untreated CDs bore out significant improvements after treatment with AI.
I ran out of the fluid and my marker dried out, so I was searching for mew treatments on the market before buying another AI kit or choosing something new. That's when I ran across this article by Greg Weaver at Soundstage, where he talks about having used Rain-X and a green marker(Staedtler Lumocolor 357, price about $3.00) as a treatment on his CDs to great effect.
http://www.soundstage.com/synergize/synergize200005.htm
Being the complete geek that I am, I had to try it for my self. I found the marker at Office Depot, and picked up a little bottle of Rain-X for $2.99. I treated a couple of CDs that I have ended up with duplicate copies of (Grant Green's Green Street, Frank Sinatra Sextet Live In Paris)and tested the Rain-X/marker treated vs. untreated disks.
Well, low and behold, the treated disks sounded notably improved; the music was clearer and louder, especially the midrange, the soundstage was larger with better definition and separation of instruments and the bass was tighter and deeper.
I can't say that the Rain-X treatment was or was not better sounding than the AI, but at the least very it is close, for a fraction of the price.
Has anyone else ever tried the Rain-X treatment?
I ran out of the fluid and my marker dried out, so I was searching for mew treatments on the market before buying another AI kit or choosing something new. That's when I ran across this article by Greg Weaver at Soundstage, where he talks about having used Rain-X and a green marker(Staedtler Lumocolor 357, price about $3.00) as a treatment on his CDs to great effect.
http://www.soundstage.com/synergize/synergize200005.htm
Being the complete geek that I am, I had to try it for my self. I found the marker at Office Depot, and picked up a little bottle of Rain-X for $2.99. I treated a couple of CDs that I have ended up with duplicate copies of (Grant Green's Green Street, Frank Sinatra Sextet Live In Paris)and tested the Rain-X/marker treated vs. untreated disks.
Well, low and behold, the treated disks sounded notably improved; the music was clearer and louder, especially the midrange, the soundstage was larger with better definition and separation of instruments and the bass was tighter and deeper.
I can't say that the Rain-X treatment was or was not better sounding than the AI, but at the least very it is close, for a fraction of the price.
Has anyone else ever tried the Rain-X treatment?