"Reference" Preamps


Seems like every time I turn my head there's a new "reference" preamp available. Heck, in this month's stereophile there are TWO that are better than anything else out there. Seems like their reviewers don't talk to one another.

Problem is that no one in the press ever wants to COMPARE sonics anymore, but they're oh so quick to throw superlatives around, and gush over dozens of subjective attributes.

I want to upgrade my ARC LS25mk2 preamp and would like to know where to spend my time. These are all $10kish msrp preamps that would hopefully fall into the "last preamp I'll ever want to own" category.

Audio Research Reference 3
Ayre K1xe
BAT VK-51SE
EAR 912
Mark Levinson 326

Didn't make my list:

Conrad-Johnson ACT2 (no balanced outs)
Hovland HP1000 (no balanced outs)
Lamm Reference 2 (no remote, separate volume controls)

Would someone care to start offering comparative opinions on these? What other preamps should I add to this list?

Thanks!
ghunter

Showing 1 response by larryi

I own both a Placette Active and a Levinson Ref. No. 32. As far as control flexibility, ease of use, and all other non-sonic considerations are concerned, no question that the Levinson is better. As far as sound, both have their strengths. The Placette delivers a huge soundstage and is very dynamic and dramatic sounding. The Levinson is a touch dull sounding dynamically speaking, but it is also a bit less harsh and sounds more refined. I like both for different reasons. I guess that makes the Placette an incredible bargain given the price differential.

I current use a tube linestage, the Emotive Audio Epifania, that I prefer over both the Placette and the Levinson sonically. It is not as flexible and easy to use as the Levinson, but is a bit better than the Placette (includes a balance control). This linestage somehow manages to extract more detail, particularly room acoustic cues, without being harsh or analytical sounding. But, it is considerably more expensive than either, and I will have to deal with replacing tubes, etc.

I have heard a few other really nice linestages, but not in my own system, such as the Connoisseur 4.0, Audionote M-10, a Kondo (don't recall the model number) and a custom linestage made from old Western Electric parts. I suppose these are also candidates for a reference system.

I agree with some of the others who listed the VTL and VAC linestages as possible candidates. I heard nice sounding systems that had these linestages in them.