Question for Paradigm Studio 100 owners ...

I too have the Studio 100's v.2 and I've been please with them - never forgetting their strengths (and their weaknesses). I run mine via a Parasound HCA-2200 (I use my Yamaha RX-Z1 as a pre-amp for the parasound). 250wpc - Parasound / 130wpc - RX-Z1. My listening room is 19x23x9. The 100's are 5.5 ft from the back and side walls. I sound treated throughout - especially the back 1/2 of the room. Between my 2 power sources, I noticed the more power, the more refined the bass. I also ran the 100's from a Yamaha M-80 - with good result, more analytical than the Parasound, but still acceptable. Do you by chance have a speaker size selector? IE: Small/Large? Are your speakers set to large? Have you applied any sound treatment(s)? Are you biwiring? Is there power going to both sets of cables (if so). Are your straps in tact if not? Is your bass control NOT turned down? These are just basics. I believe in starting simple, then gradually getting more technical.
For me though, volume is necessary for the studio 100's to come alive. Not so much 'loud,' but instead, turned-up (a pretty good thump!). 2nd, I've noticed the 100's need SPACE to breath. Without it, they can disappointing (IMHO). Power - running solely from the RX-Z1, they didn't sound as dynamic (the Yamaha too made them sound fantastic, but the parasound gave them the . . . punch!) - Then again, my mind may have been telling me that, being that I knew consciously, the Parasound was disconnected. :) In closing:
Power
Space
Volume
Connected properly
Operable bass control
Sound treatmet (of some sort - nothing fancy required)

Hope this helps

Any one have any reviews on these speakers. New owner looking for source and amp combination. Not sure.

The Paradigm Studio 100v2 are a well built/designed speaker, if I switch them, I'll be listening to PMC IB2i's.
I am apparently one of many who find the 100v2 to lack the ability to produce bass with much authority, which is why I compensate with a Tannoy PS350B to assist with the depth, and it does so quite respectively.
With that being said, I take my hat off to Paradigm for creating such an amazing speaker for such a great price, I picked mine up second hand from a good friend who took meticulous care of them.
I find it difficult to find a great speaker that will reproduce classical/jazz and rock n roll, so two pairs of speakers might be the best solution, depending on ones mood and choice of music.
Even Bob Marelys' bass is effortlessly controlled.

Bryston 4BSST2
PS Audio AC10 Power cables to both Brystons and DAC
Bryston BP26
Bryston MPS-2
Benchmark DAC1-PRE
MIT T2 quad speaker lines
Transparent Opus MM2 IC between all three components.
Mackbook pro plays FLAC through AMARRA via usb to the DAC.

If you have to pull out a speaker 6ft from the wall to smooth out the bass, you bought the wrong speakers for your room IMO.

I have owned the 100 V2's. They are a bit lean in bass IMO. If polarity is correct, and you played with placement, maybe try a adjustment with your manual eq (25hz, 40hz, 60hz, 80hz) if you have that option.

I've owned Studio versions one and wood sided two's. I was driving them with a big Ayre V-1xe by-wired. They were 5.5 feet out from the front wall, 6 feet apart, 1/2 inch of toe in, and spiked.

I now own a pair of used Avalon Eidolons which are hugely more expensive but their presentation shows just how glaringly poor the Paradigm design is.

In the Paradigm price range the PSB Synchrony are greatly more musical, flatter, and have a far less fatiguing upper end.

http://app.audiogon.com/listings/full-range-psb-synchrony-ii-speakers-just-out-of-the-box-2012-12-22-speakers-10306-staten-island-ny

For what they are the Paradigm's bass may be their strong point. If all else fails I'd think about a subwoofer.