Pure silver wire: solid, stranded or Litz wire?


I have quite a long experience in using pure solid silver wires in my DIY cables. Overall I am very happy with the results but I always enjoy trying out different things. After having tried a few types of solid silver I ended up with OCC. Not so much because of the claims about 6N-7N purity and mono crystal nature but because it simply sounds at least as good (but probably much better) than the standard 99.99% silver, it is much easier to work with and it is immune to corrosion. These are my observations and not claims by the various suppliers.
However, I am interested in trying out a stranded or Litz version of this silver (or any other type of silver that may be available at reasonable prices? Anyone with experience on it? Positives & negatives?

Regarding the stranded pure silver I do not see many benefits other than flexibility. I am also not impressed by the idea that many bare silver wires are in constant contact with each other. On the other hand Litz silver wires (individually insulated cores braided/twisted together forming a sigle conductors with an outer insulation)seem to be the ideal situation. However, they do not seem to be widely available?
I have come accross Litz type silver only in the case of internal tonearm wires (i.e. Audionote)but at very small sizes and very high prices.
Other than this some online research only came up with very limited sources about larger sizes (HGC and audionote). I have collected a few relevant direct links from different suppliers if anyone is interested but I am not sure if I am allowed to post them in the forums.

Anyway, in terms of Litz style wire, it appears that there is the usual Litz of very fine coated/enamelled cores or a simpler form with larger cores (but less in number)threaded in tiny teflon tubes of the same size before they are tightly twisted together. The second seemed quite an attractive option. It is much cheaper than the first Litz option, more flexible than solid wires, and the little Teflon tubes offer better insulation than a few coatings can do. It also offer improvements in terms of skin effect, ringing, while adds to the overall surcace area of the conductor without the need to use larger sizes.

Any ideas about known suppliers of such wires? Anyone has personal experience?
aber23
I agree with Guma15 with the AT cable. I could not find a cable that dug as deep into the music and keep a natural sound with emotion. I tried a few silver cables but I did not find them bright, what I found is that the sound was smoothed over and sort of dull in comparison. I also had the AT cable cryo treated which also added to the overall sound. Worth the $35.

happy listening.
The simple solution I have used for making interconnects is wrap each individual wire with Teflon Thread Sealing Tape, basically, that leaves you free to use UPOCC silver or any other choice of wire. Then you make the litz wire combining the individual strands.  I have done this for internal tone-arm wire and for cartridge leads. The only disadvantage is losing the air dialectic advantage of cotton or teflon oversized tubing. It is a lot of work. I normally work with cotton sleeving, using lots of 20 or 28 AWG wires, individually in cotton and then a very large cotton sleeve to put them all through. With 28 AWG wire I use a sewing needle to get them through the cotton sleeves. The cotton sleaves I get dirt cheap through our local haberdashery shop.
Cheers,
Jaap