ProAc comparison


What are your thoughts on comparing different ProAc models? I’m currently on my 3rd pair.

I started out with the Tablette 2000, which was a superb value for the money, and a wonderfully musical speaker with surprising bass for its size. I kind of regret selling them, because I think they’d be just about the perfect bedroom system speakers. However, I always had these on hardwood floors, so I suspect they could be a bit soft in carpeted rooms.

Then I got a good deal on a pair of Response 2S, which I had been coveting since 1998. The Response 2S had better extension in both directions than the Tablette 2000, and I found them to be considerably brighter, to the point where I actually had to lay down a carpet on top of the hardwood floor of their initial room. But they certainly had all of the musicality of the Tablettes, and seemed to have no sacrifices once the tweeter was tamed. Then I moved into a bigger space. My current living room is 17’ x 17’, and carpeted. The carpet here eats high frequencies for lunch, but the Response 2S proved to be absolutely phenomenal imagers in here. They were throwing images well beyond the walls.

After hearing the Proac Studio 140, and being completely blown-away by it, I found a good deal on the Studio 140 Mk. II, and jumped on it. What I found was a trade-off from the Response 2S. I got an extra 10 Hz of bass extension, which has proved to be deeper than expected. I got better high-frequency extension, as well. The Studio 140 Mk. II are also much more dynamic, and more efficient. I can really feel the music with these speakers in a way that I couldn’t with the Response 2S. But the Response 2S were much better at imaging. They were warmer, had better bass-mid integration, and were much better at presenting vocal textures. The Studio 140 Mk. II are much better with instrumental textures. There’s no clear winner here - it really seems to be a matter of taste. For my part, I’ve decided to stick with the Studio 140 Mk. II for now, as the dynamics, clarity, and rhythmic drive of them work really well for the music I listen to. But I can really see tube lovers going for the Response 2S.

My one mythical lust object in the ProAc lineup remains the Response 2.5. I heard them in the late-’90s, and I have never heard anything else that did such an amazing job with acoustic bass texture. I really wonder how they hold up in the context of a modern system, and how they compare to newer models. I listened to the Response D25 and was not impressed. They sounded sluggish and muddy in comparison, despite the dealer telling me they had been improved.

So what are your experiences comparing different ProAc models? Which ones have really stood out to you, and which do you covet as part of your dream system?
bainbmil

Showing 1 response by psnyder149

I am a diehard Proac Response devote.  My principal speakers for the last 20 years has been Response 3 until last November.  But I always coveted Response 3.5.  For the last 5 years, I have also owned a pair of 2.5 that I swapped in and out.  Much better and more expansive bass compared to their bigger, older brothers (3) but not quite the midrange clarity and effortless extension.  Coupled with an ER1 subwoofer, the 3.0s edged out the 2.5s... Of course at twice the list price, they really ought to bury them, but they don't ($6500+$2500 compared to $4500)!  I also had a CC1 center channel, recently replaced with CC2.  I have just sold the CC1, 2.5 and 3.0 when I was fortunate enough to find a pair of Response 5.0.  Sonic nirvana!!!   Subwoofer is now only used for home theater.  I prefer the older response line to the newer D's with the ribbon tweeter.  I would not agree that one is better, it is a personal preference.  I willingly substitute a bit of high end speed and extension for what sounds more natural and musical to me.  

With all of this as groundwork, I would not hesitate in recommending a pair of 2.5s for a small or medium sized listening room.  They are just magical and for the $1500 +/-... a sonic bargain!  If your room is big and your system top end, spring for 3.5, 4 or 5 (if you can find them.  Keep in mind that all 3 of these require room around the speakers and must be away from the back wall several feet.

My current system is Linn LP12, Aurender N100, Classe Sigma SSP, Classe Amp 5 with MIT analog cabling and Nordost USB.  Previously, I had a Krell KSP 7B with Audible Illusions S-120 and EAD/Wadia 12 CD.  My next purchase will be top of the line Classe monoblocks as these speakers deserve them!  Good luck in your journey.