ProAc budget level S.S. or Digital amp synergy?


Just assembling this system, into which I would like to interject tubes by way of the preamp stage with my foreplay II (Mullards,BugleBoys), yet achieve the drive and articulate bass charecteristics afforded with S.S, on a tight budjet...

Would some kind A'goners make recomendations of likely suspects, knowing the preferances of these speakers and your experiences with their presentation, which might meet my criteria ?

I realize that recomendations are always asking posters to go out on a limb, so to speak, as I have much more experience with headphones and their amplifiers and make recomendation myself over on Head-Fi...

And yes, I have researched and read what little there is on the subject, although without the inclusion of this specific criteria set. On a budjet, with a tube pre and of the S.S. design hopefully to be bought used here!

Room is 20X16X9 hight...

~Garcia/Dylan/Lightfoot/Taylor/Merchant/John/Hynde/Waits/VanMorrison/Knopfler~

TIA for sharing.

Regards,
finthen

Showing 4 responses by finthen

Rethinking a strategy, due to the feeling I'm getting that class D amps, though having the wattage / spl and low cost advantages, will suffer in terms of sonics vs starting out with say a 60watt Bryston in a near field listening configuration.
Which eventually as budjet allows, can be used in a bi-amp configuration (top), buying something similar but substantial in terms of watts/spl driving the lower end, again, fronted by the Foreplay II pre. Eventually allowing for more liberal placement options...

Feedback would be appreciated~

TIA
I've decided to begin the journey here by driving these ProAc 2.5s with a Bryston 2B LP @ 60w fronted by the Foreplay II preamp(Mullards/AmprexBugleBoys), lo-fi Sony ce-595 as transport with the Corda Opera as DAC, set-up in a nearfield configuration. As I say, until my budjet allows for a more ideal amplification solution...

Thanks for all the help guys~
Sincere thanks for the constructive responses within the criteria mentioned, which will help in my search looking forward as I upgrade the initial pairing I've decided upon, Bryston 60W/Foreplay II Pre/Corda Opera DAC [Operas DAC being slightly warm with slightly polite HF energy, though airy and fully extended, as evidenced by my referance AKG-701s & even the oftentimes troublesome HF energy(in other systems) of my DT-990s].

Although this initial entry level upstream components chain could and will be improved upon, I have great hopes for it to provide a utilitarian,pleasing reproduction system coupled to the 2.5s, configured in a nearfield configuration, "Within Budget Restraints" at this time!

Again, further insights by owners of the ProAc 2.5 for future guidence are highly appreciated here...

Thanks