Primer on horns


About 9 years ago (when very poor) I remember listening to some Klipsch speakers (around $1000) in a dealer here in Austin and was blown away. Now I find myself with a system I am really happy with (Kef RDM3's, Sony SCD777-ES, Marantz ppre/power) but I have some money that is waiting to be spent and I was thinking I would like to investigate some Klipsch horn type speakers with some tube amplification. I will be keeping my main system, but I have a dedicated listening room (11*18, 8ft ceiling) where I can have a system off to the side for fun. I want to spend around 1000-1500 (second hand) age/looks isnt an issue.
I listen mainly to classical (small and large scale) and jazz.
I have had great luck getting good advice in this forum before, so wondered if anyone has tips/recomendations or good places to go and get Horns 101 (if you see what I mean).
Thanks
peteinvicta1

Showing 1 response by ezmeralda11

Class A isn't necessarily any better than Class B, and "Class" A/B isn't really a class but an amp the flip-flops between the two. "Class" A/B will always have more distortion than a well optimized Class B, all other thing being more or less equal. And between the A and B, alot of it depends on how well its done. I've seen Class A with 10% THD and class B with .0005% THD at most frequencies. Not to mention all the other variables of an amplifier like slew rate, intermodulation distortion, damping factors, etc. While the switching distorion found in Class B (and technically A/B) is the most offensive type, its levels can still be designed so low that the audible difference between the two classes is negligiable. Randy Slone from Seal Electronics puts it ok in his FAQ:

7. How about Class-A audio power amplifiers? Don't they sound better than Class-B designs?
To make the statement that one amplifier sounds better than another poses the requirement that the differences in sonic reproduction be discernable to the human ear. It has been proven that the human ear is capable of detecting high-order odd harmonic distortion as low as 0.3%. Crossover distortion, as produced by Class-B operation, is the worst kind of distortion, being high-order odd harmonics across the entire audio bandwidth and existent at virtually all signal levels. The worst-case conditions for crossover distortion is at very low volume levels at high frequencies (i.e. close to 20 kHz). Even under these extremes, several of the amplifier kits in this catalog are typically capable of THD levels better than 7 times lower than the minimum audible level. Therefore, in these or similar designs, it is quite impossible to detect a difference between Class-A and Class-B operation based on human perception, as long as all other performance variables are identical.

In summation: you can use a Class B amplifier, or any amplifier designed for home audio, with horns and still get very good sound if its a well designed amp.