Ported versus sealed speakers: is one type better?


Have two systems of wildly different scale and cost.  My main rig features Wilson Watt/Puppy 7's, while at my vacation cabin the system features Totem Rainmakers.

Got me thinking recently that both are ported designs.  And many box speakers are indeed ported designs.

However some of the best and most costly speakers are sealed - not ported.  Examples include Magico and YG Acoustics among others.

 I realize ports are just one aspect of the overall design but I'm seeking opinions on whether one is inherently worse than the other (ported versus non ported)?

Thus would a Magico or YG have an inherent advantage over a Wilson, Rockport,  Von Schweikert or other top ported design?

Any thoughts?
bobbydd

Showing 2 responses by mijostyn

Transmission line enclosures are darn hard to design. Roger Sanders makes the best one I've ever heard.
I personally do not like deep base coming from my satellites. But, I use ESLs and cross to sealed subs at 125 Hz. 
I am not sure about this but I do believe it is harder to make a ported design operate below it's resonance frequency than a sealed design.
This might allow the sealed design to work better with room control. I have not used room control that way. I would always use subwoofers which might make the seal/port argument mute.  
bd24 is right but the result is that the ported design sounds as if it has more bass. Ported designs can be excellent such as Wilson's but the vast majority of them are colored. Designing ports is easy. It is just a math problem. I think where most designs fail is in implementation, cheap materials, resonant enclosures etc. 
I do not like any enclosure except for subwoofers. Open baffle speakers crossing over to subs at around 100 Hz work great. I use dipole ESLs
For subwoofers sealed is absolutely best. With signal processing and a very powerful amp you can make the driver do whatever you want. As long as the enclosure is inert you are in business. The best designs now are "balanced force." You put a driver in opposite sides of  sealed enclosure so that their vibrational forces cancel out. 
Infinite baffle design was mentioned. Bozak used Infinite baffle enclosures. This requires a large enclosure. Large enclosures are difficult to keep quiet. The bigger the board the more prone to vibration and resonance it is. Bozak used 3/4" plywood. The Bozak enclosure was a musical instrument. My father had a pair. With a Dynaco Stereo 70 they played very loud with rich chocolate flavored bass. They were colored as hell but to an 8 year old kid that system was the nuts.
In my own experience except for subs, the best enclosure is no enclosure.