I took delivery of these speakers a few days ago and since nobody seems to be familiar with them, I figured it might be helpful to add some comments myself. Just in case someone develops an interest in the future and wishes to find some user info.
This pair survived their 45 years of existence pretty well, apart from the inevitable cosmetic blemishes to the cabinet. No surprise there. What does surprise is the sound. These things are as open and transparent as any modern high end speaker, combined with a very neutral tonal character. They’re nothing like the highly coloured JBL’s of the day, nor do they suffer from the closed in ’warmth’ of many BBC derived British speakers.
Sonically they are somewhat similar to the Acoustic Research AR10/11 speakers I have always enjoyed. They’re very easy on the ear on all types of music like the AR’s, but with a more transparent and open high register. It’s a mystery why Japanese speakers of this level were not more popular in the West during a time when their electronics sold in huge numbers. Aparently they didn't even bother to market them seriously and the top Pioneer speaker models - like the Exclusive horn systems - were kept for the home market. The ones that did get officially exported - like the CS-3000a and this CS-T8 - were very expensive. As I remember the Yamaha NS-1000 were about the only serious Japanese speakers that did sell in fairly large numbers outside of Japan. They were considered serious competition to all the usual suspects from the US and UK and with good reason. I remember them well and certainly liked them, although they always seemed to be rather ’hot’ in the treble. The later Pioneer S-955 and S-933 - also with beryllium drivers - can also be a little too much in the wrong environment and require very careful system matching. The CS-T8 are more forgiving in this respect.
I would say the CS-T8 are highly recommended for anyone interested in vintage Japanese speakers, but my advise is to use them with some caution. The drivers are unobtanium and when they die you’re out of luck......
This pair survived their 45 years of existence pretty well, apart from the inevitable cosmetic blemishes to the cabinet. No surprise there. What does surprise is the sound. These things are as open and transparent as any modern high end speaker, combined with a very neutral tonal character. They’re nothing like the highly coloured JBL’s of the day, nor do they suffer from the closed in ’warmth’ of many BBC derived British speakers.
Sonically they are somewhat similar to the Acoustic Research AR10/11 speakers I have always enjoyed. They’re very easy on the ear on all types of music like the AR’s, but with a more transparent and open high register. It’s a mystery why Japanese speakers of this level were not more popular in the West during a time when their electronics sold in huge numbers. Aparently they didn't even bother to market them seriously and the top Pioneer speaker models - like the Exclusive horn systems - were kept for the home market. The ones that did get officially exported - like the CS-3000a and this CS-T8 - were very expensive. As I remember the Yamaha NS-1000 were about the only serious Japanese speakers that did sell in fairly large numbers outside of Japan. They were considered serious competition to all the usual suspects from the US and UK and with good reason. I remember them well and certainly liked them, although they always seemed to be rather ’hot’ in the treble. The later Pioneer S-955 and S-933 - also with beryllium drivers - can also be a little too much in the wrong environment and require very careful system matching. The CS-T8 are more forgiving in this respect.
I would say the CS-T8 are highly recommended for anyone interested in vintage Japanese speakers, but my advise is to use them with some caution. The drivers are unobtanium and when they die you’re out of luck......