Hi
Thanks for the replies so far.
The recording is of the Keith Jarrett Trio on "Up For It" - Live in Juan-les-Pins. I looked at the liner notes to see what piano it was ;) - they sometimes say but not the case here. They did mention that there was rain onstage and leakage causing Gary Peacock's bass to be water affected and the piano to be waterlogged.
But triviality aside, I have liked the Harbeth's so far on many Blue Note quartet and quintet recordings where trumpets are usually too biting and the bass notes do reveal the different textures although they are not as tight as on the Dyn's that I was surprised to not be equally impressed by piano trio recordings. Hell, I even thought they sounded fine on US3's "Hand On The Torch" too even without the bass slam.
But rock, now that is a different matter...
Ryder, the amp was a Krell FPB 200 driven by a Cary SLP 05 - that is a neutral amp so I cannot presume that it imparted much warmth.
Thanks for the replies so far.
The recording is of the Keith Jarrett Trio on "Up For It" - Live in Juan-les-Pins. I looked at the liner notes to see what piano it was ;) - they sometimes say but not the case here. They did mention that there was rain onstage and leakage causing Gary Peacock's bass to be water affected and the piano to be waterlogged.
But triviality aside, I have liked the Harbeth's so far on many Blue Note quartet and quintet recordings where trumpets are usually too biting and the bass notes do reveal the different textures although they are not as tight as on the Dyn's that I was surprised to not be equally impressed by piano trio recordings. Hell, I even thought they sounded fine on US3's "Hand On The Torch" too even without the bass slam.
But rock, now that is a different matter...
Ryder, the amp was a Krell FPB 200 driven by a Cary SLP 05 - that is a neutral amp so I cannot presume that it imparted much warmth.