Phono stages belong to which tier?


I feel the phono stage is the most critical component in an analog system since it is an important part of the source. Which phono stages have you heard and in which tier would they fall in 1st 2nd or 3rd?
From reading the threads here: aesthetix, manley, lamm, fm acoustics, einstein would probably fall in the 1st.
Please include stages that have been listened to extensively and those that have been heard breifly.
pedrillo

Showing 1 response by aceboympk

Analog setup:
- Dynavector Te Kaitora (not Rua)
http://www.needledoctor.com/Dynavector-TE-Kaitora-Cartridge
- Avid Diva II
http://www.musicdirect.com/product/50183
- Origin Live Encounter Mk2 arm

Amp: Yamamoto A-08S
http://www.6moons.com/audioreviews/yamamoto2/45.html

Linstage Pre-amp: Canary CA-903
http://www.6moons.com/audioreviews/canary4/903.html

Currently I have a Canary CA-401 phono stage that I enjoy a lot, but I'm looking for a more quiet phono stage. In fact, dead quiet would be great.

Most knowledgeable Agon members suggest matching the phono stage based on components and preferences, so I listed my components hoping you guys can help.

My budget is between $1k-$2k. Because of my amp and line stage being tube based, I'm REALLY needing a dead quiet phono stage without sacrificing performance. I want a little more speed, focus and tightness, without diminishing the soundstage, range or textures of the Canary.

I'm sure there are trade offs, but I'd appreciate some suggestions. I read through all of the phono stages listed in everyone's post so I have some more information. But, synergy is really important when it comes to matching components directly. The Canary is great, but a little too noisy with the rest of my tube gear and I think balancing out my tube gear with a SS phono MAY be the way to go, instead of overemphasizing the "tube" sound with everything being tubes. Make sense?

Thanks,
Mark