Peeking inside a Carver Crimson 275 Tube Amplifier


So, I just had to pop the hood on the Carver Crimson 275 tube amplifier. I was so curious as to how this little guy weighs so little and sounds so lovely.

  • The layout is simple and clean looking. Unlike the larger monoblocks (that cost $10k), this model uses a PCB.
  • The DC restorer circuit is nicely off to one side and out of the way. It doesn’t look all that complicated but I’m no electrical engineer. Why don’t more designers use this feature? It allows the power tubes to idle around 9.75w. Amazingly efficient.
  • The amp has very good planned out ventilation and spacing. No parts are on top of each other.
  • Most of the parts quality is good. There’s a host of Dale resistors, what look like Takmans, nice RCA jacks, heavy teflon hookup wire, and so on.
  • Some of the parts quality is questionable. There’s some cheap Suntan (Hong Kong mfr.) film caps coupled to the power tubes and some no name caps linked to the gain signal tubes. I was not happy to see those, but I very much understand building stuff to a price point.
Overall, this is a very tidy build and construction by the Wyred4Sound plant in California is A grade. I’m wondering a few things.

Does the sound quality of this amp bear a relationship to the fact that there’s not too much going on in the unit? There are very few caps--from what this humble hobbyist can tell--in the signal chain. And, none of these caps are even what many would consider decent quality--i.e. they aren’t WIMA level, just generic. This amplifier beat out a PrimaLuna Dialogue HP (in my room/to my ears...much love for what PrimaLuna does). When I explored the innards of the PrimaLuna, it was cramped, busy and had so much going on--a way more complicated design.

Is it possible that Bob Carver, who many regard as a wily electronics expert, is able to truly tweak the sound by adding a resistor here or there, etc.? Surely all designers are doing this, but is he just really adroit at this? I wonder this because while some parts quality is very good to excellent, I was shocked to see the Suntan caps. They might be cheaper than some of the Dale resistors in the unit. I should note that Carver reportedly designed this amp and others similar with Tim de Paravicini--no slouch indeed!

I have described the sound of this amp as delicious. It’s that musical and good. But, as our esteemed member jjss [ @jjss ] pointed out in his review, he wondered if the sound quality could be improved further still. He detected a tiny amount of sheen here and there [I cannot recall his exact words.] even though he loved it like I do.

I may extract the two .22uF caps that look to be dealing with signal related to the 12at7 gain tubes and do a quick listening test.
128x128jbhiller

Hi djones51, Yes, you are correct. I think that I was suggesting there are measurement zealots who don’t put much stock in the subjective side.

By "beat out", I meant in my room, my system, my music, my ears. These amps were not bad, and, in fact, I said that I would recommend them in that post. The point was supposed to be (and I probably didn’t make it all that well), but testing and stats can be very important or, sometimes, not that helpful. I’ve owned a few products that tested in the tail of excellence side of the bell curve--yet I didn’t keep them because they were "beat out" by other things.

For instance, take the glorious and wonderful KEF LS50. I loved them and wish I had them around still to play with. But they didn’t work quite as well in my particular application than did the much less expensive Wharfedale Denton anniversary. This is why so many of the folks here always say try to audition or get a forgiving in home demo.

I have certainly seen folks chime in on ASR (who are new to those parts) and make a comment or ask about sound and they get pushed aside because that’s subjectivity and the product in question already tested poorly per their results. I was also pretty certain that in the ASR testing thread of the Carver that there was no talk or commentary on how the machine performed in use.  Maybe I am mistaken and someone on that thread who tested it used it with a couple of different speakers/preamps. I like hearing about people do that.  

Some old British roadsters test poorly but are a joy to drive! Same can be true with hifi. Sorry if I’m not great at making such points. Not trying to litigate this just explaining what I meant.

@Charles1dad, I'm glad you understood what I was trying to convey.  I mean I have no beef against a great cap like WIMA.  Aren't they littered throughout nice products, like Audio Research, Pass, Vincent, and the list goes on.  

A Suntan?  Come on!  I bought WIMAs and AmTrans for the first tube amp I built and they hardly broke the bank.   

From the Jim Clark forum-- They claim there's a special way to test them?
 

Carverfest Amps and how to measure them. A note from Bob. – Carver Stereo Forum


QUESTION: Bob, A guy is claiming a 275 makes 17 watts with strange distortion numbers any thoughts?



ANSWER: Thats ridiculous, a 75 watt amp.. Isn’t it obvious? It is being test wrong or its damaged.. My amps can be difficult to test, difficult to get the grounding correct. I’ve been dealing with people testing my designs wrong and getting grounding errors effecting measurements, most of my life.

Well, Bob has opened a can of worms. Grounding systems can be wily. I’m going to sit back and watch what ensues out there.

I do wholeheartedly agree with Bob in that the amp sounds big and sweet. It’s a fun ride regardless of what wattage it puts out.  [I do question that it can reach anything near 75 watts based on my teardown.].