Passive Stage preamp vs Active Stage Preamp


As you all probably know lots of integrated amp designs (solid state) exersise the passive preamp part design which are basicly either transformer or a high quality potentiometer and simple input circuitry.
Many of us know that most of the CD players have a sufficient enough output voltage to feed the power amp (from 1V upto 3V) Same thing with DACs. Analogue phonos are able to produce the same kind of outputs.
The input sensitivity of power amp <=500mV
For somehow I've been experimenting with loaned WADIA No 15 DAC with variable output that has just a passive potentiometer and connected a variable output directly to my Bryston 3b-st. The result was deeper soundstage and details vs. setup through Bryston 11b preamp. The only drawback was that the volume range is much smaller than with preamp.
Can anyone summarize all advantages and disadvantages in using passive preamps vs. active?
Does it make a sence to try a passive stage preamp in my current solid state setup which is Theta Data II -> EAD DSP700 ->...
and analogue J.A. Michell GyroDec -> Delphini phono ->...
and ending with Bryston 3b-st?
Also if such exists, describe an importance of using active stage in tube setup.(Impedance matching?)
marakanetz

Showing 1 response by cornfedboy

marakanetz: while it may not be true with your transport/dac combo, some high-quality dcp's offer digital volume controls that may substitute for pots in analogue pre's. i'm personally acquainted with most of the accuphase line, having owned several of their components and listening at great length to most others. in my experience, the single-box acuphase dp-75v and the dp100/dc101 sacd/cd combo both sound significantly better when run directly to an amp of equal quality to the digital units than run through a pre, even one built by accuphase. soundstage widens and deepens and the sense of PRaT is quicker and more life-like. more importantly, the sound is cleaner, as though a veil were removed from the speakers.

i do agree with albert porter that you will not likely prefer a digital source run directly to an amp (tube or ss) if you are a diehard valve fan. a great tubed pre, like the aesthetix callisto or its sister phono stage, the io, will sooth the soul of many who'd rather be playing vinyl records than listening to a laser detect the binary reflections off a piece of metal-coated plastic. i additionally confess that i've not heard ANY source, no matter how cheap or dear, that didn't sound better played through a boulder 2010 preamp. 'course one might expect such after plunkin' down $36k. -kelly