Pass Labs XA200.5


Much has been said of the Nelson Pass’ XA.5 series. They are among the most reviewed and most recommended amplifier on these pages. And yet, I feel compelled to add my contribution by heaping some additional praise. I have said there is no such thing as a perfect amplifier. Now I am starting to think that if Nelson has not achieved it, he certainly comes very close. The Pass Labs XA200.5 has exceeded all expectations. Coming upon 12 months, my enthusiasm has not diminished. This amplifier has put me into a state of satisfaction, placing it solidly in a 'final destination' category.

Over the past year, I have spoken to many enthusiasts and dealers about amplifier choices. One could get as many recommendations as people you can call. Although I was curious about Pass amps on my current speakers based upon past experience, many dealers were characteristically unenthused. I went out on a limb with the Pass. If you think you know the Pass line based upon the X or X.5 series, then think again.

The XA.5 lets music soar. The words that come to mind are ‘majestic’, ‘natural’, ‘relaxed’, and ‘flowing’. There is a texture and depth to the midrange that I believe is unique to a handful of solid-state amplifiers. In addition, there is what I call the paradoxical midrange, wherein a sense of warmth is also accompanied by increased detail. Many amplifiers create a sense of ‘warmth’ by adding a haze over the midrange. The Pass is totally clear and open across the mids. The words dry and clinical do not even enter the mind. These mids are wet, plump, and juicy.

The bass is just natural, full, and controlled. The entire presentation is effortless, controlled, and delineated, with no strain or compression even with the loudest climaxes. The higher frequencies have energy and detail without glare or hardness. There is no added background noise, and music rises and falls into a natural acoustic space. The music is dynamic, interesting, and compelling. Music can be delicate and subtle one moment, and powerful and fierce the next. These amps are fun, exciting, and thrilling.

The Pass is expensive, but not as expensive as its competition. I don’t need to say anything further about customer support, build quality, or reliability. I do not like to tell people what to buy, but one should definitely consider auditioning these Pass amps in your search for that elusive amplifier. Combining this amp with a quality tubed preamp (BAT Rex), the Tripoint Troy, and Jade Audio cables has really created a very natural presentation that has brought me closer to live music that transcends debates of tubes vs. solid state. I feel that these 4 pieces in combination are at the heart of my system.
rtn1

Showing 3 responses by rtn1

Personally, I'm a fan of their current design. It is classic, and totally their own. Very easy to spot. They are massive, and exude quality. Yet, it is a very simple design as well.

I know that not everyone likes the bright blue lights in a dark room, and wonder about the functionality of the meter. But I just think of it as part of Nelson's design and his philosophy on Class A power.

I'm not sure about the Aleph and the sound of piano. It is true that progress is not always in a straight upward line. But, I think Nelson has probably combined an amp with massive power but also with that rich and organic presentation as well. I don't want to start reciting copy, but it seems as though that has been the goal.
The XA30.5 is running $3500 used right now. If your speakers are kind, this is a good value. I maintain that the XA200.5 remains a good value. Value is not the same as expense. The XA200.5 weighs 360 lbs. Alternatives include the most boutique and exclusive brands, such as Boulder, Solution, FM Acoustics, Gryphon. The Boulder 2000 monoblocks are $80k. All things are relative. But no, I am not saying these are 'affordable', as I am saying that are a good value in their class.
Audioblazer,

I don't know the benefit of the XA200.5 vs. 160.5 for the Savoy. Those are big speakers, but the impedence seems reasonable. Your best bet is to speak with Pass direct, or a dealer that carries both. There are no sonic compromises with going larger - just initial cost, heat, size, and energy consumption. If you have a big room and listen to complex orchestral music, err on the larger size. Rock music with alot of bass doesn't make the needles jump on my amps, but big orchestral and opera pieces can. That is why I say music complexity requires more power than just loudness.