Parasound Halo JC-1 -VS- Bryston 7B-ST?


Hello,
I have been reading alot of rave reviews on the older Bryston 7B-ST monoblocks.
Has anyone ever owned, heard, or compared both the Bryston 7B-ST monoblocks and the Parasound Halo JC-1 monoblocks?
If so which was superior and in what ways?
Please describe the sonic differences between the two in detail.
Thanks for all of your information!
daltonlanny

Showing 3 responses by rukavina

I agree. A friend of mine has had the JC-1's for a year and had a problem with one of the monoblocks. Parasound refused to repair it under warranty and call him an idiot during a phone call with a technician. Even Richard Schram, the president of the company, was belligerent. You won't have these problems with Bryston. I own the 4Bsst's.
Walsh. Conveying a friend's experience with customer service is not slamming Parsound technology. I have owned 5 Parasound amplifiers over the last 10 years and have been seriously considering purchasing an amp in the Halo line. Of course as you are a dealer, objectivity and bias are usually confounded. As I understand, Parasound was purchased by another company that is not known for manufacturing high end, quality equipment. Pressures to keep costs down can very easily translate into poor customer service, including warranty repairs or a lack thereof. I weigh many factors before spending $6,000.00 for an amplifier, and I also am very aware that companies that have been leading edge in technology and quality can easily begin a downward spiral in a competitive environment, e.g. Sony. Audiogon is an open forum where one can aquire a wealth of information before embarking on an expensive purchase of any product. For me, customer service rankds third, only to the performance of the product, and the consensus of quality of the product. If all three are not met I do not make a purchase. I would rather learn vicariosly than through experience.
Daltonlanny's comment is particularly apropos, in that accidents do occur, and that crossing speaker terminals accidently is very easy to do: plastic terminal caps that are only hand tightened, jumpers that come loose from bass vibration,et. But shouldn't these high end amps be able to shut down before circuit damage is done? My Yamaha RX-Z1 Home theater amp has had it's terminals crossed by me many many times due to the weight and quantity of speaker cables. The amp simply shuts down and a mesage appears on the screen "check speaker cables". The same with my McIntosh mc501's.It is virtually impossible to fry them. I had and still have some of the older Parasound amps, and if an event occurred, surge, terminals crossed, etc. the worst that would happen is I would simply blow a fuse. I never blew a circuit.I am not an electrical engineer but it seems with today's technology that protecting circuits should not be that difficult. I don't know.