Parallel? How do you set the VTA?


Silly question, but how do you guys determine whether your tonearm is parallel to the record surface? I had my tonearm set up happily for months, but recently started messing around with the cartridge alignment and the VTA, and I'll be damned, but the folded index card method gets me nowhere now. Even with adjustments I keep getting the same visual effect. Happily my ear tells me when the setting is off, but as a base, how do you determine conclusively your tonearm is parallel? For reference, I have a VPI Classic. Thanks.
actusreus

Showing 2 responses by larryi

I don't change VTA when changing records -- that would require not only repeatable settings, it would really require listening and finding the ideal setting for each particular record. That would be a lifetime project.

I can hear the difference when I make surprisingly small changes in VTA by moving the arm up or down at its base. Whether this is really attributable entirely to a VTA change, or whether a small change in tracking force is also involved, is really an academic issue -- I hear a change regardless of the actual cause. But, I cannot see it being worth the effort to optimize VTA each time I play a record.

If differences in record thickness, and the resulting effect on sound, is that big a deal to someone, perhaps that person is a candidate for a longer arm -- the length will reduce the VTA change for any given change in height of the record surface.
The only way I could see myself doing album-by-album VTA adjustment would require ownership of a rare Air Tangent arm that allowed for motorized VTA adjustment by remote control. That way, one could actually hear the change occurring on the fly. I don't see listening, getting up to do an adjustment, then sitting down to listen to be enjoyable, reliable, etc.