Paradigm Persona series


I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s.  I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels).  So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass.  However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information.  The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers.  What could possibly be the science behind this claim?  It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
pwhinson

Showing 5 responses by milkdudd

Curious if anyone who has had a chance to listen to the Persona B stand mount and also have listened to the Usher Dancer Mini-X DMD. In a small 9 x 12 listening room, how much better if any would the Persona likely be? Thanks in advance
Thanks for responding. Actually the more I read about these the more I think it would be too risky to buy without listening. And to answer your question I don't think I have a way to audition them. This thread might be the one I read a few months ago that had a lot of people either loving them or not so much. Then I saw a pre-owned set for sale that got me interested. There's a different thread here where everybody pretty much babbled incoherently how unbelievably great they were. I think some linked to some reviews that may have been skewed in Paradigm's favor. One speaker that nobody seems to ever talk badly about is the TAD stand mount. Maybe I should just be happy with what I have and keep in the back of my mind that someday under the right circumstances I may be able to get a set of those
Thanks yyzsantabarbara for the very thorough response. Of all of the speakers you mentioned I think only the Kef and Persona 3F would be speakers I could consider to purchase new. All of the rest would have to be pre-owned to keep the price at 10k or under. Do you not think the Yamaha and the Persona 5F would be too much in a 9x12 room? Also would you feel confident buying TAD knowing they are no longer distributed here? Thinking if I ever needed a replacement part or something. Any thoughts of Dynaudio or Canton? Canton also seems like a company with little or no us presence. Thanks again
Sorry, when I said Dynaudio I was thinking Dali. The Epicon 2 specifically. I have a call into my local Kef dealer to discuss availability and price for the Ref 1. I will also ask him if he can find out about a new Meta version. Thanks for the heads up, I didn't know anything about that new design
Thanks again to both of you guys for responding. As far as my ultimate goal in a speaker would be, I would say the feeling of being there if it were live performers is the goal. I think that’s the case for a lot of us. I do like a lot of micro detail if I’m saying that right. For instance I would not want even a slightly veiled sound even if it made the sound a little sweeter. What I’m already getting out of my Ushers is pretty darn good. Things like acoustical solos or vocals are pretty amazing. What I wonder is if it could be better when a lot of things are going on at once. I’ve often wondered when a bunch of musicians are playing at the same time and different vocals and sound effects and such, can any speaker really match the sound of a live performance? Maybe speakers with three or four drivers hold a big advantage in that way. I suspect you guys might know the answer to that. What I did yesterday is send an email to GR-research that specializes in upgrading speakers with better or even the best components internally. I know he has worked with different Usher speakers in the past. That would be my perfect and game if I could put a few hundred or maybe even a thousand or two into the speakers I have and match the performance of these speakers that are and the 8 to 15 thousand dollar range when new. I know that’s a tall task and may not be realistic. I know it’s money I would never see again if I ever sold them, but if I like them enough I don’t think I ever would sell them