Pani ... New ART-9 up and running ...


The Cartridge arrived and I took it down to Studio City to Acoustic Image to have Eliot Midwood set it up properly. Eliot is the bomb when it comes to setting up the Well Tempered turn tables correctly.

http://www.acousticimage.com/

So, last night I had Mr. Golden Ears over to get his assessment as well. For a brand new cartridge that had zero hours on it ... all I can say is WOW! This is one naturally musical cartridge that doesn't break the bank. Its everything I liked about the OC9-mk III, but it goes far beyond the OC-9 in every respect.

In a previous post, I talked about the many mono records I own and how good the OC-9 was with the monos. Well, the ART-9 is on steroids. Just amazing on mono recordings.

At under $1100.00 from LP Tunes, its a bargain. The ART-9 surpasses all cartridges I've had in the system before. That would include Dynavectors, Benz, Grado Signatures and a Lyra Clavis that I dearly loved. In fact, its more musically correct than the Clavis. The Clavis was the champ at reproducing the piano correctly ... the ART-9 is equally as good in this area.

Sound stage, depth of image, left to right all there. Highs ... crystalline. Mids ... female and male voices are dead on. Transparency ... see through. Dynamics ... Wow! Low noise floor ... black. Mono records ... who needs stereo?

Your assessment that the ART-9 doesn't draw attention to itself is dead on. You just don't think about the cartridge at all. Not what its doing, or what its not doing ... its just beautiful music filling the room.

Thanks again Pani for the recommendation. I'll keep posting here as the cartridge continues to break in.
oregonpapa

Showing 3 responses by safebelayer

Is anyone using a rogue ares phono stage with this cartridge?  Also, does anyone with this cartridge live in Seattle?

Audiolabrinth, I think if you comb they this thread and other ART9 threads, you'll find a comprehensive list of phono stages used with this cartridge.

What do you mean by mid-range?

Some might call my Rogue Ares mid range ($2k new).  The used market is a buyer's paradise right now it seems.  I'm not seeing gear move, even at really low prices. Back to the Ares, I am really enjoying it's ability to get out of the way.  Very quiet, great soundstage (width and depth) and dynamic.  Does not add tube bloom.

The only phono stage I've heard that betters it, costs 5x more... ASR Basis Exclusive.  I'm sure there are others but no where near $2k that I've heard.  I had a HEED Audio Quasar that was awfully good, particularly for $1200.

Hope that helps.

Audiolabrinth,

I have no personal experience with the EAR phono stages.  I started off with the Grado phono stage.  When I purchased the Heed Quasar, I combed thru the forums for a ps that was quiet, good tonality (tube-like, if possible) and affordable (for me).  The EARs kept popping up as being top shelf, though not for the money.  The reviews confirmed the quality, but never were they considered good bang for your hard earned dollar. 

That's when I came across the Heed.  The same distributor that brings in Cardas, Sonus Faber, Opera, and Unison Research suggested that I take a listen to the Quasar.  I got a new (demo) unit from Blackbird Audio in California.  Dead quiet, tube like (though a SS unit) sound, and super easy to use.  I only moved on to the Rogue Ares I have now because I found a screaming deal.

I don't think you'd go wrong with an EAR, I do suspect you can find something as good for less money or something better for the same.  My audiophile mentor convinced me of one thing...invest in a good phono stage, you'll never regret it. Goodluck in your search.