Otari or Technics Reel-to-Reel ?


Hi.
I am thinking about getting one of those in the future. I am sure I would want Studer but they are too expensive for me. I want the deck to be able to record on 7.5 and 15 and to play on 3.75, 7.5 and 15, both half-track and quater-track tapes.
I would be recording from vinyl making compilations and listening to studio recordings whenever I could get them.
I would be prepared to pay to have it properly cleaned aligned and calibrated.
I actually never delt with RTR, but in my heart I am a tape man not vinyl man.
What would your recommendations and advice be? I would appreciate any input based on knowledge and experience.
inna

Showing 10 responses by orpheus10


I own an Otari MX5050, it's a 1/4 track professional machine that's extremely complex. I've never had any trouble out of it. I also own a Technics 2 track 1500, never had any trouble out of it either. Presently I listen to the 2 track because it sounds better, that would go for either machine, 2 track sounds better than 1/4 track, and 15 IPS is overkill for CD's and records.

My question to you is "where are you going to get the blank tape, and where are you going to get the pre-recorded tape"? Since I've never bought any pre recorded, I can't answer any questions in regard to machine compatibility.

I suggest you forget about the reels until the tape questions are answered. Good luck on both.

Inna, remember this, before you record, make sure there are no "fluorescent lights" within 100 miles. Demagnetize the heads, buy rubber cleaner for pinch rollers, buy new pinch rollers for whatever machine if possible, head cleaner of course. Demagnetize the heads after recording each tape. Make sure you're not thinking about anything else when you record. Recording LP's is a lot of precise work, and these suggestions are a big step in getting good results.

Good luck.

Correction: Demagnafication is after each recording session, which will be more than one reel. Here is something that can easily slip your mind; your recorded tapes must be a good distance away from the demagnetizing process, or those tapes will be damaged by the demagnetizer. It's little things like this that require planning, meaning that you might walk through your recording session the night before.

I played some tapes this evening, and rediscovered they are well worth the effort.

Inna, this is stuff dreams are made of, it's called EE tape. If a person had a reel with a EE seting , he could record at the slow speed of 3 3/4 and get 7 1/2 quality of sound. That doubled the playback time without reducing quality of sound. This was long before I got into the high end, and playback time was our concern.

As it turns out, you don't need those EE settings, this tape will work on any reel. I'm listening to it on the 2 track Technics and what I'm hearing is truly unbelievable. ( A 2 track Otari will be even better) Holographic is an understatement, the musicians are here in the listening room.

This reel was not in a gold EE box, but as soon as I heard the first tune, I knew it was EE tape. War "All Day Music" was the first LP; it's hot fun in the summertime. "Let's go to the beach, play in the park, or roll in the grass long after dark". The year was 71 when such things, even for us, were on the good idea list. On this tape, each vocal or instrument is surrounded by air, decay time on any thing that rings is forever and the musicians are in the listening room.

Everyone whose heard EE tape wishes it would come back. I'm positive, no matter how good someone else's rig is, they wont get sound this good unless they got a reel and EE tape; think about it, the high end is the starting line, then you throw in a reel; that boosts it up a notch; next you add the EE tape, that puts it over the rim; I sure hope they bring it back.

Top notch gear is only half the story, good recording results require explicit planning and execution. "Watch power cords and interconnects, arrange so as not to create hum". Enjoy when it's time, but don't rush.

Inna, since you're looking into all things Otari, could you tell me how easy it is, to change my 1/4 track Otari to a 2 track?

The old pro needs some help from you newbees; I had been using Quantegy 456 grand master, but I now see $270.99 a reel, tell me it ain't so.

I need advice on blank tape, what are you guys using?

Clio09, I just received the RMGI tape that I'm going to use with the Otari MX 5050, what bias and equalizer setting did you use?

Changing from 1/4 track to 1/2 track will be quite expensive, but it will be a brand new head. When taking that, plus the fact tape is available one day and not the next, I think I'll leave the Otari 1/4 just as it is; although I don't believe there is any limit to improvement from widening tape heads, there is a limit to how much tape I can afford.
You can put new transistors and small capacitors in a Technics. I already have, they're easy to work on, don't be afraid to look inside if you're a technician.

Since I hadn't needed any service for my two reels, I didn't know anything about it, but now the Technics seems to be running a little slow; that does not have to be adjusted by Technics, but any old service place in your area. The key is service manuals, which they have, and meters which they have. I could do a lot of the work myself if I had the meters any good shop has. The on again, off again tape is the major problem.

Although I have two reels, so much can be done with your PC if you know a "Geek"; meaning someone who knows computers, that I see no need for reels unless you're turned on by reels (ME), and computers don't need tape.

Enjoy the music.