Optimal loading for the Orpheus


I am in the process of acquiring a Transfiguration Orpheus cartridge. Despite a lot of very informative information on the 'Gon, I have yet to see insight regarding the optimal loading folks have found for the the Orpheus. Your thoughts and experiences, please.
hickory

Showing 2 responses by jtimothya


Congrats on your O - its a lovely cartridge.

On different phono stages, I've tried values ranging from 80 Ohms to 250 Ohms using resistors from different manufacturers. I think the optimal value is a personal preference and can depend on how 'live' your room is on the top end. The higher values lending themselves to a bit more 'sparkle'. (Not a negative attribute here.)

On the ARC PH7 I used the 100 Ohm preset for quite a while and its simple to switch values with the remote - eventually I settled on 200 Ohms.

After trying different Caddocks, the "nude" Vishay S102s and several others, I settled on 170 Ohm Tantalum resistors for use in the Atma-Sphere MP-1. 220 was a tad tipped up. The S102s are nice and clear, but so are the Tants and they've a wee richer timbre.

Tim
Hickory - the Tantalums I'm using are AudioNote, definitely not bright. I've heard folks speak well of the Shinkoh Tantalums but I haven't heard those or the Kiwame. I concur with your comment on the Caddock if you're referring to a MK132 or TF020, though there are lots of different kinds of Caddocks - RalphK has an Orphues and he recommended the Caddock MM (fat body, gold leads), but I haven't been able to locate them.

I had the Temper W in my system for a month or so - a delightful cartridge. Imo, the Orpheus is an upgarde from from the W. I hear the O as more neutral (W is warmer), with 'deeper' tonality, and better top end extension. Could someone comment on the sonics of the Temper W vs the Temper V to help me gauge Raul's comment?

Tim