With respect to the Tango, did you mean entertain vertically in order to entice folks to partake horizontally? Or am I doing both the wrong way? Patricia Barber has been mentioned on this forum already. Not unnoticed, but certainly below the radar screen compared to the offensively commercial and less talented Diana Krall. Split is, perhaps, her least well known CD but I think the best.
Open Call To Arms
Ok, I think we can mostly agree that the majority of what is coming out under the convenient moniker of "music" these days is junk. Accordingly, ferreting out the gems that are keepers is one of the greatest thrills I know. It's work, though, and I propose that we pool resources. Recently, I've had a couple of friends come and visit from South America (Chile and Argentina) who are genuine music lovers, and we spent literally hours on end trading favorites. It was a great opportunity to open windows into a world of music that I otherwise would have missed and reap the cream of the crop. So, in the interest of getting a little something going, I'll offer up a couple of personal winners from the Ibero-Latino scene and hopefully encourage folks to contribute. First, Malingo-Tangos Bajos (and he released a new one a couple of weeks ago that I am dying to get my hands on): this fella merits some intro. The tango, these days, has the flavor of refinement and elitism. However, it was invented in the whorehouses of La Boca (original Italian barrio of Buenos Aires) as a means of the whores entertaining horizontally in order to entice folks to partake vertically. An ad campaign for prostitutes. Sex--pure and simple. Along comes Malingo, lives in an insane asylum by choice, checks out to record and play shows, sings in a Tom Waitsian I-can-sing-drunker-than-you-can-stand vein, and on-officially proclaimed the guy that is putting the whorehouse back in the tango. Worth a listen. Also of merit, Manu Chao (formerly of Mano Negro, the French-Spanish super group) and Gustavo Cerati (formerly of Soda Estero, the Argentine? super group). Finally, if you're into the idea of clasically trained opera singers turned sex-pot Brazilian divas (which I have a particular soft spot for), try Marisa Monte. I could go on, but have for long enough already. (I trust that none of these are in the least remarkable to anyone in the know regarding what I'll call musica latina--it's just that I wasn't one of them). The challenge: share those gems that might otherwise have gone unnoticed, for whatever reason...or none at all.
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