Okay, the gloves are off. Let the fur fly


I would like to hear one single cogent technically accurate explanation of how a multi-way box speaker can be more musically accurate than single drivers or stats. As a speaker designer for more than 25 years, I have yet to hear an argument that holds water, technically. The usual response involves bass or treble extension, as if that is the overriding principle in music reproduction. My position is that any information lost or jumbled in the complex signal path of multi-way box speakers can never be recovered by prodigious bass response, supersonic treble extension, or copious numbers of various drivers. Louder,yes. Deeper,yes. Higher, maybe. More pleasing to certain people,yes. But, more musically revealing and accurate,no. I posted this because I know that it will surely elicit numerous defensive emotional responses. I am prepared to suffer slings and arrows from many directions. But, my question still remains. Can you technically justify your position with facts?
twl

Showing 2 responses by mikelavigne

i'm with Tim and Craig....the only "facts" that matter to me are my ears....technical theory regarding loudspeaker design is just that....rationalizations not realizations.

when you hear a very coherent, seamless, full range, dynamic multiple driver design like my Kharma Exquisites and compare them with a planar, stat, or horn enclosed single driver there is simply no contest IMHO in regards to recreating the original event and drawing me into the music.

this may be a case of where a "C" plan with "A" execution (multiple drivers) beats an "A" plan with "C" execution (single drivers). maybe someday enough research and energy will be put into the challenge of the "perfect" single driver to allow the "theoretical advantage" of the single-driver approach to finally win out.

i respect the many "single driver fans" out there who have a different experience than mine.....someday i may have an experience that could change my mind.

but so far single-drivers have not won out to my ears.
hi Tim, what i do in the privacy of my home and room is my business.....but if you must know.... i first get a big shit-eat'n grin on my face....think of how lucky i am to be able to enjoy my system....and then go to work (about 55 hours a week) to pay for all this great shit.

i hope when you make it out here to listen the system will measure up to all the hype...it is not perfect...but it doesn't do "bad" things and is about the musical message and not "parts" of the music.

someone once said; things should be made as simple as possible, but no simpler.

i think this thread is all about technical execution, and how to remove as many barriers between the pure signal and the listener but still do the whole job to deliver the complete musical picture. my Kharmas have a series crossover....the mid-range "runs free" and the tweeter and woofer have subtractive crossovers....minimum parts count....everything is cryo'd.....my amps have no output transformer, i use a passive volume control.....neutral cables....put it all together and you have the POTENTIAL for magic.....and it seems i have been lucky enough to have it.