Okay, the gloves are off. Let the fur fly


I would like to hear one single cogent technically accurate explanation of how a multi-way box speaker can be more musically accurate than single drivers or stats. As a speaker designer for more than 25 years, I have yet to hear an argument that holds water, technically. The usual response involves bass or treble extension, as if that is the overriding principle in music reproduction. My position is that any information lost or jumbled in the complex signal path of multi-way box speakers can never be recovered by prodigious bass response, supersonic treble extension, or copious numbers of various drivers. Louder,yes. Deeper,yes. Higher, maybe. More pleasing to certain people,yes. But, more musically revealing and accurate,no. I posted this because I know that it will surely elicit numerous defensive emotional responses. I am prepared to suffer slings and arrows from many directions. But, my question still remains. Can you technically justify your position with facts?
twl

Showing 1 response by danner

Just a quick story: Some fifteen or twenty years ago, I worked in an acoustics lab where we decided we wanted some realistic sounding speakers. We grabbed a B&K lab condeser mic and a Nagra tape recorder and recorded one of us reading a passage from a book. Then about 6 of us went from one stereo shop to another having the person read the passage while standing next to a speaker and playing the tape through a Crown amp (Nagra, Crown, and cables constant for all stores). We went back with several pairs of Dahlquist DQ10s. -- Now this issue of truth. Seems to me that my system (no longer using DQ10s) is capable of creating an illusion of a solo cello that really pleases me. I have no idea if it sounds anything like the cello that made the recording. I'm also not sure that it matters. Cheers.