Hello scm,
I also want to officially welcome you to the 3-4 Sub DBA Club, "where near state of the art bass performance becomes a routine reality in any room and with any pair of main speakers you prefer."
I didn't consider myself a bass-head either until I began using a 4-sub Audio Kinesis Debra DBA system in my system and room. Now I consider myself more of a bass connoisseur because I'm now able to hear the details of pitch, texture, initial impact, changes in volume and natural decays of all of the separate bass instruments in the soundstage clearly on all music tracks. It really adds to the realism and enjoyment of all types of music for me because I can identify and clearly follow any instrument's bass line I prefer to. I'm not exaggerating when I state the 4-sub DBA is the best single upgrade I've ever experienced in any of my systems over the past 50 years.
I still believe we can describe to others how remarkably well this 3-4 sub DBA concept actually works in practice until we're blue and convince very few. But ironically, we all know about a 10 minute personal audition would convince virtually anyone. Plus it works in any room and with any main speakers, even notoriously hard to integrate fast speakers like planar-dynamic and electrostatic types.
I understand they don't know what they don't know, but I thought more members would be adventurous and daring enough to at least give it a try. Oh well, I guess a lack of adventure and ambition results in a lack of very good bass resolution and a lack of daring results in the apparent lack of caring about the absence of high quality bass performance.
Enjoy,
Tim
I also want to officially welcome you to the 3-4 Sub DBA Club, "where near state of the art bass performance becomes a routine reality in any room and with any pair of main speakers you prefer."
I didn't consider myself a bass-head either until I began using a 4-sub Audio Kinesis Debra DBA system in my system and room. Now I consider myself more of a bass connoisseur because I'm now able to hear the details of pitch, texture, initial impact, changes in volume and natural decays of all of the separate bass instruments in the soundstage clearly on all music tracks. It really adds to the realism and enjoyment of all types of music for me because I can identify and clearly follow any instrument's bass line I prefer to. I'm not exaggerating when I state the 4-sub DBA is the best single upgrade I've ever experienced in any of my systems over the past 50 years.
I still believe we can describe to others how remarkably well this 3-4 sub DBA concept actually works in practice until we're blue and convince very few. But ironically, we all know about a 10 minute personal audition would convince virtually anyone. Plus it works in any room and with any main speakers, even notoriously hard to integrate fast speakers like planar-dynamic and electrostatic types.
I understand they don't know what they don't know, but I thought more members would be adventurous and daring enough to at least give it a try. Oh well, I guess a lack of adventure and ambition results in a lack of very good bass resolution and a lack of daring results in the apparent lack of caring about the absence of high quality bass performance.
Enjoy,
Tim