Now I get it...


Hey everyone, long time listener first time caller.  I sold a bunch of used gear and recently updated my vinyl front end to a Feickert Woodpecker, a Soundsmith Paua, and a Pass Labs XP-25 (I feel blessed).  As a result, I discovered I own some truly awful pressings.  Seriously, never knew some of my records were so darn terrible.  The good ones, though?  Absolutely magical.  This was a pretty cool moment in my audiophile journey.  Now I finally get why some system reviews describe the components as “unforgiving to poor source material”.  Awesome.
jerrysbeard

Showing 5 responses by jerrysbeard

You’re right, and I still play (and enjoy) the “terrible” ones.  Just never understood how much better a truly good recording can sound.  The SQ gap between good and poor seems much larger now (to my ears).    
Guys, I appreciate your thoughtful responses.  I think in my original post I should have flipped the narrative to say that I am amazed about just how awesome some of my records sound.  With my new set-up I am astounded about how some of my albums just make me go "Holy S***!"  While the others, most often the reissue 180 gram "audiophile pressings", are enjoyable but sound less alive.  There are exceptions to that rule, of course, but I think you all understand.  In other words, I now finally get the value of consideration paid in searching out really good vinyl.  Steve Hoffman forums have become my friend when looking for these reviews. YMMV.  Am I having fun?  Heck yes! 
Hi @millercarbon, funny you should bring that up!  I just ordered my first LP from Better-Records, an early release White Hot Stamper of Black Sabbath's self-titled debut.  I am so excited to hear it, especially after your comments above.  Will report back once received (should be here next week). 

@mammothguy54, my copy of SRV's In Step from Analogue Productions is on the way!

To everyone else who has been responding to this post... THANK YOU!  I have thoroughly enjoyed your insights.