Not wasting my time on new Digital


Well guys, I have disappointing news:

Getting all hyped being a tech guy, tried out a new $9000 top flying Integrated CD player, with the apparently best design and parts including Anagram algorithms and ……..

I don’t know boys, this is my second disappointing experience with new digital gear.
I am not going to mention any manufactures that I have been disappointed with.
I have a very nice system to my ears to name a few products including Sonus Faber (Electa Amator mk1 to be exact) Apogee’s, Audio research and more…….

Decided to try some new sources of course and I was told all sort of things and parts and man oh man, the reviews and well to my ears other than my original Oracle turntable and my newer VPI table, my older DAC’s sound much more musical. WHY? WHY? WHY?

New technology, new ideas, new designs, new engineering and we see to be going behind rather that forward. I still like my original Theta Gen V and even my Bel Canto DAC for a fraction of the cost, even my Micromega DAC hands down.

Anyway are there any other people experience the same thing, by the way I have tried some very serious stuff and out of the pricy gear…meridian and Spectral (Spectral SDR-2000 with no upgrades and still sounds amazing) stays on top of my listing.

Appreciate any input.

Cheers - rapogee
rapogee

Showing 4 responses by eldartford

Viridian...Please explain why I should care about sounds that are ten to twenty dB softer than what is audible.

Unlike many sonic characteristics that are near to the heart of audiophiles, dynamic range is very easy to measure. Have you ever actually done this?
Viridian...I have a test CD (put out by Dennon) that has a track with a tone having amplitude of one LSB. It is completely inaudible, although my spectrum analyser, looking at the electrical signal, picks it up so I know it is there. I don't much care what might lie ten to twenty dB lower.

Oh, and that is a 16 bit CD. DVDs are 256 times better.
Viridian...Your question, "Where, as you assert, did I say that sounds 10 to 20db below what is audible are things that you should "care" about?" is one that I cannot answer because the posting has been (conveniently) deleted.

Thanks for the link. Interesting, but I have seen it before.

In my multichannel system (5 channels contributing noise) I never hear noise with digital sources. With LPs, quiet passages almost always have enough audible noise to bother me. (Perhaps I am more sensitive to this than you are). My spectrum analyser clearly shows why this is so.

I have no special record cleaning equipment, and I am talking about ordinary LPs: not special audiophile editions. While the noise floor of the LP system is pretty well defined by the technology, the maximum signal can be anything that the recording engineer thinks his customers' cartridges can track. Most LPs intended for the general public have been compressed and peak-limited so that Joe sixpack can play them.

By the way, I think that dynamic range is not the most important parameter. Sometimes I find that quiet passages, even without noise, are difficult to hear unless the volume is cranked up so much that the loud passages are ear-splitting. Too much of a good thing.
I'm not sure that digital is a waste of time without multichannel, but it is true that MC is the greatest factor for improvement over analog (for us poor guys who don't have $80,000 LP playback gear). In particular, for someone who will not install multichannel equipment, I doubt that SACD or DVDA is a big upgrade over CD.

I have many 2-channel discs and LPs, and have experimented with many of the matrix systems that can derive multichannel from a stereo source. Almost always I find the result problematical. There is a compromise however, three (not five) channel, and there is a product (SST Trinaural Processor) that "Blows Away" (sorry about that) all the other systems. You can read my review here or at the Imperii Audio website. Kal also had a favorable review in our favorite rag.