For
all those who are in the process of getting a NEW cable that was calculated and recommended.
First,
good luck and thanks for the trust. I really hope that most of you, if not all, will end up happy and satisfied.
When
the time will come, to share your impression here, please do it in some
ordinary way:
> Specify your Amp and
speakers.
> Specify the previous cable
that was replaced: just gauge and length. Please avoid brand and model. Thanks. You may add how much that cable cost…
> Specify your new cable: gauge
and length. If other than was recommended, please notice what was recommended too.
Then
use your own words to describe your impression.
This
is important for all of us, to get the equipment and cables data, not only a
say of how good (or not) is the new cable.
Thank
you all in advance. Michael (b4icu).
|
Mr.
khiak
As
I already established a communication line with Goldmund and Mr. Rodolphe, I
posted him some questions regarding the Telos 600 special
speaker connectors.
I'll
share that with you as soon as he will reply.
We
never leave a wounded on the battlefield ! :-)
|
Mr. keppertup
Thanks you. Thanks you again. Could you please help me out with some supporting information? I posted just above this: When the time will come, to share your impression here, please do it in some ordinary way: > Specify your Amp and speakers: Pass Lab 250.5 with Magnepan III's. > Specify the previous cable that was replaced: just gauge and length. (?) Please avoid brand and model. Thanks. You may add how much that cable cost…
(?)
> Specify your new cable: gauge and length. If other than was: 0 AWG, 5 feet long recommended, please notice what was recommended too. (if different from
0 AWG, 5 feet long) Would you please be kind to do that for me? Thanks. I’m really happy that it worked for you. I didn’t say it won’t work for none coil loaded speakers, I just claimed it is different. On the theory and the drowing board, it is. Some pictures of your cables would be more than welcome. Thanks. For the record: > The same results would apply if you turn the cables direction! :-) > The same results would apply if you say they were cryogenic treated! :-) > If you make another set, at the time this set "goes through" a so called burn in, and then after some time you will connect the new cable, it will sound exactly the same. No "burn-in" excuse is required when the results are: jaw dropping. It sounds good from the first moment. Trust me on that. Wish you lots of hours playing your music and discover tones of new sound bit’s you never know it’s there. As I said, you were listening to only some of your system potential before. Now you are listening to ALL of it. It is not only your ears that approve it, but some engineering calculations, I stand behind it. Something that never been done before with most systems. Welcome to the club. Thanks you again. For all other, who are yet in the process getting there, it might be a nice clue of what is comming at you, when you are ready. God bless you. |
Mr. keppertup Thank
you aging for your sharing.
How to post a picture:
Please use this site: https://imgur.com/a/42eh3h1
Press the green "New post" on top.
Drag your picture to the opened window.
Copy the URL on the right side of your picture and "copy" it to your
post.
My two cents on your brave act:
Those were the best $45 (+$12) you ever invested in your audio system or ever spent.
You
talk of over $2,000 spent on speaker cables with no much audible benefit. Then spend
$45 and : "The results are stunning".
For
the record, your cables been improved by X20. I assume that your description of
the new sound tells the rest of the story…
For
that reason, a silver cable of the same gauge, would add 5.4% over the x20 times
you already have. It will be un noticed, but cost way more than $45.-
Thanks
in believing me. Many didn't. Some of the none believers, you can find on a parallel threads, getting banana to keep
spreading their outrageous believes.
Just
imagine, what you were missing till this thread.
People
always under estimated the speaker cables. It was something between getting a
wire from the cheapest spool in the shop, or investing big in cables that never
delivered.
I
wish this change will spread. I hope that audiophiles will realize the truth
behind this subject. I regrat all the ignorance, urban legends and tones of
money thrown out for absolutely nothing!
Those,
who invested big in their system, deserve to enjoy all that goodness. Mostly,
because they never did till now!
Many
keep upgrading, at a time they have the right sound system but the wrong speaker
cable. They keep spending at a time they are only $45 from accomplishment.
I
hope that your description will help others to do a step toward the right
speaker cable and join the experience. There is little to lose and a lot to
gain.
I'm
sorry for all those who tried fighting this idea, for no particular reason,
rather than give it a descent try.
By
the time we gather more impressions, it will be a weak up call for them, to do some
changes with their attitude.
Be careful
with the volume, ribbon tend to clip at high volume. It can also clip your amp.
If
you like it loud and live like, try a Klipsch Horn. I own a pair of Forte –II. Nothing
I ever heard, can reproduce a drum cession live like. The Forte –II does.
Thanks
agin.
|
Good
luck to all of you, building your new cables.
Hope
you'll enjoy the process as well as the results.
Thanks
for the sharing.
|
Mr. geoffkait
Did you notice that the bottom of your ref. was written or approved
by AudioQuest that is a cable maker? Do I need to explain you why Bi-wires
are better for AudioQuest than a single wire? (I'll give you a clue: they
make double the money on bi-wire).
Would I base an argument on a biased quote with interest, rather a scientific approach?
I rather stick to my explanation (technical, supported by electronics knowledge
and proven by simulation) than your lovely words that guide nowhere. Do you
still believe that the earth is flat?
Your lovely description of bi wire could be also applied to a chair or a
table. It would work the same.
|
Mr. geoffkait
You, Mr. John Atkinson or others you may quote, never got the
speaker cable thing right from the first time! so they added a second wire, of
the same gauge to the single and the sound improved...
This is what this thread is all about. As if you read this thread thoroughly,
you could get a slight impression of Mr. keppertup on his sharing of implementing
this idea. A beautiful one.
I'm sure you would rather keep sticking to your false ideas
and a limited sound quality (you most likely call high end) because Mr. John
Atkinson or others said so. Enjoy both.
If you would get that, many of your falls accusations could be
saved, with many of your postures posts and so you would earn less points...Sorry about
that.
I've
seen you on a parallel thread about the burn in, and I felt really bad for you.
|
Mr. khiak
1.
The Bi-wire thing is not of
any advantage over single wire, as long their combined cross section (or gauge)
of the bi-wire equals to the single wire. It was a trend with a story (another
urban myth blown away) in the 90's.
2.
All Telos 600 amp's
need the same speaker cable as I've told you, as it depends on the Dumping
Factor of the amp. and not the load (the speaker). That apply to all amp's
you have.
3.
Pass labs 350.8 (all X
series have the same DF) Dumping Factor is 150. A bit poor, but it is what it is. He needs a 4 AWG for the 2.5-3m
length.
A Lovely Setup. I made a set of cables to my friend here who has a Pass Lab 250.8 and a B&W 802D speaker. https://imgur.com/a/LF0vyGZ
https://imgur.com/a/42eh3h1
4.
Who said it's coming for
free? :-)
You and your friend are kindly requested to share your data and impressions of
the sound with your new cables ref. to the once replaced.
I hope you can do that for me…? Thanks.
With the "special coaxial connector for the Telos 600 amp.", I
contacted Mr. Rodolphe from Goldmund, Swiss just before the
weekend. I'll most likely get his educated answer tomorrow (Mon.).
He would rather specify this special connector and a source, or offer a Goldmund's
matching connectors.
I'll
post his replay here on this thread for you.
|
Bi Wire
The base to the approach came from Bi-Amp (or Tri Amp.), in which the
crossover was bypassed. An electronic cross is placed between the Pre and the
powers. Each band that drives each of the units of that speaker is getting its
specific audio band, its specific amplification and speaker cables. This is
better than the ordinary method, because the speaker's crossover contributes
some distortion that is avoided by the Bi/Tri amp.
Some manufacturers came up with an idea (not really works in real!) that
if it's not Bi amp, it can be Bi-wired. The claim was, that the low Fr. Currents
related to the woofer, won't affect the currents of the high Fr of the midrange
and the tweeter. The Bi-wire became over night popular and most speaker makers
provided two sets of binding posts and some flat jumpers.
This approach was good, if such a speaker owner would like to go Bi-amp
without the need in some cases to replace the speaker or drill holes for more binding posts. The internal cross should be removed and
bypassed in most cases.
If a simulation is run on a computer SW called "Spice" (most
common for analog HW simulation with design) and the two options: Bi wire and single wire)
are run, with identical speaker wires (represented by resistors of small
value), the result of a single wire is better than a bi-wire.
To understand the why, a Bi-wire approach separates the current loops.
So the low Fr. Loop, that drives most of the current, by nature of the audio
band behavior, has only 1/2 of the cross section available, vs. one single thicker
wire. The high Fr. Loop has the same cross section available, even it does not
need that much. So you get one cable that is not really been fully used and one
that is under sized for the requirement.
Digging deeper, for the Amp. it is the same.
So is for the speaker. A wire can pass all frequencies as long thier total cuerrent does not exced the wires capabity. We most likely far from that in Audio.
You just have a less good speaker cable with the bi-wire. I would like
to believe that we are gathered here to improve that part in our system.
|
Mr. keppertup Thanks for the photos. As it does the job, I can’t comment on functionality :-) May I please comment on your workmanship? Ref. to your 2nd picture, that the two ends can be seen better: On Spade side - you have a thread that was not captured by the crimp and is lose. Spades need maintenance as the binding post loose grip in time. This end could use a short shrinking sleeve to cover some of the cable and some of the exposed cooper sleeve. For the safety and for the good looking. Your other end, with the short low gauge wire stacked in the 0 AWG: is a nice idea. I’m not so sure if that would hold in the long term, if the 0 AWG weight is hanging on it. Here is mine for ref. was posted on page 2 of this thread: https://imgur.com/a/qwcIbTn
|
Mr. conradnash
Sorry, the one you see serves my friend in Vancouver BC. If you live
nearby, I can get you acquainted.
I have no pictures of that as I never thought to be asked for.
The wire between the thick 0 AWG cable and the banana plug is of 8 AWG.
I really believe that this banana plug is the best possible electrical and physical
way to connect between it and a binding post.
The banana plug is soldered thoroughly to that 8 AWG wire. 100% of its
inside perimeter and 100% of the 8 AWG wire for the entire common length
(about 2cm long).
The other end was soldered to the spade (cable shoe) that is of way
thicker and more firm than the one Mr. keppertup has. It is soldered on
both sides of the shoe (over the center hole). The shoe is crimped on two
presses with a 70 DIN size tool.
Than the ends were worn, with a black sleeve (larger diameter) on
the thick cable, the shoe and the edge of the 8 AWG cable. A second sleeve
(white) is covering that edge and all the 8 AWG wire and secures (permanently)
the banana plug sleeve from open.
This structure ensures the best electrical and mechanical construction,
and it is very strong. It took me a while to figure it out…For the record, I
also have a perfect solution to use two and four 0 AWG wires in one cable, for
those who really need that.
|
Mr. geoffkait
All
the respected makers you have mentioned above have an interest. They make a
living out of that, the more they sale the better. That’s called a biased testimony.
I
don't.
See
the pattern?
|
Mr.
conradnash
What
is the difference between T and D class...? D class may have a DF of up to 5,000! Using
the same formula, it would suggest a cable with a cross section of an elephant's
leg…
I'll
rest my case and not dig into those few who wend that way.
Most Japanese
receivers have a DF of 40.
As
you ignored my need for cable length, I cannot answer that question. The link
for the spec does not specify DF.
I'm confused. Are you going to connect this SONY receiver with two 0 AWG wires?
Please follow my say over this thread and then reconsider. Thanks
|
Mr. geoffkait
I'm sick of your nagging. At a time you repeat other's say I have my own
thinking. I learned, tested, experience and then talk. Not like you…You bring
mostly makers of the audio industry that have an agenda: profit: The more the better.
I'm here with no such intension. If you would read some of the posts,
you would understand that I'm truly here to give. Not to take. My only request
from the members was to share. I have no idea what they will write, but still
I'll keep asking for that. I start to suspect that you are here representing a
firm in this industry that may not be happy if this idea catches popularity. It's
also a big shame they sold their stuff for long years without having a clue of
what their customers need.
The US:
I and my country (Israel) own big to the US. I know some Americans I
worked with guys from GD, Boeing, and Lockheed. I found Americans to be very
nice and honest people. I'm sorry to say that you are different.
|
Mr. conradnash
I'll refer, with your kind permission to your HT system only. The rest
doesn't worth the effort.
I've told you what cable you need. I took the time and the effort doing
so.
If you have other ideas, you are welcome. I won't take the responsibility
for that. I do not understand why you would ask for my advice and then do else.
Is that sounds right to you?
Well if you go your way, it is your choice. However, it would have
nothing to do with my thread. This is not a bi wire thread and I do not wish to
keep that subject as topic here.
It may not benefit any of us.
|
Some say about this thread.
Not like many other threads, this one has a theoretical (engineering)
side and a practical side. We can long argue the theoretical, till the practical
part knocks on the door.
So far, only one got there. More are in the process. I would advice to
be a little bit more patient and read what that will bring with their
generous
sharing. I
hope that then the party will really get excited.
Each one, who took thing in hands, may have a little bit different
implementation to that cable. Also they have different setups. The principal
will remain the same. So should be the results.
If I'll take Mr. keppertup as an example (a very good one), I can
assure you he is satisfied with the results and will not look back to exchange
the new cables with his old once. He is the first for you, but I have more…
Before this happens, I am worried a bit. So I was with the other once. What
will be the reaction to that change? Even thou I hope for the best. So far,
things look pretty much consistent. There is no convincing on my side. I won't benefit
from those who reject the idea or think different. I do benefit from those,
like Mr. keppertup, who report of getting from the very same equipment
with a new wire (cable) a way better sound. So far this is my reword. For me it
is a big one.
If on the way, I can help some with other things, it would only be a benefit.
However, I wish this thread do not turn into some infertile debate over
one (or more) of some urban myths. Attempts were so far successfully pushed
back.
|
Mr.
grannyring
The Lyngdorf 2170 is a digital Amp. par excellence! those usually
come with high DF. Very high...(theoretically something like 5,000!) on other
posts (private one) an other maker would recommend of an equivalent DF of
1,000. However you've been told that it has a DF of 100. It is a 10x ratio
difference!
As so, I would go for your cables in two options that you will have to make up
your mind, and take a decision of which one you like to believe to
For 20 ft long:
For a DF of 100 it would be a 1 AWG (I would take a 0 AWG that is more popular
to find and work with)
For a DF 1,000 it would be a 4x 0 AWG in parallel, or 2x 4/0 (0000)
AWG in parallel. This is a very thick and heavy cable.
The set would be over 40Lb. I doubt if you can do a DIY cable of such size.
If the 100 is your choice, and the real DF is more like a 1,000, you are
still at enjoying only 50% of your system. If your choice is the 1,000 whatever
the trouble to get it, you will end up with the right cable, of way more (not
really required) and expensive cable. Up to you!
|
Mr. skyscraper
Nice system.
The Luxman L-507uXII has a DF of 260: http://www.luxman.com/product/detail.php?id=4
For your 10ft. length it is between 1 AWG and 2 AWG. You may adopt one
of the 0 AWG DIY that was brought up along this thread (parts source and labor methodes).
I know in person Mr. Yair Tamam a major designer of the Magico speaker. https://magico.net/redefine/redefine.php
For some reason he is not mentioned on this site. (Mr.) Alon is
an Israeli name and they have a dealer in Israel too. I know that they earned
over night a great reputation with their speakers. On my 3rd seminar
held here in Israel, Mr. Tamam lectured on his vision of building a speaker…it was in
2001.
|
Mr.
conradnash Please be kind to take your Bi wire subject with Mr.
geoffkait who keeps posting on the subject (none relevant to this thread) to another place. Thanks. |
For all TELOS 600 owners, here is Mr. Rudolph from Goldmund says: "Dear Michael, what speakers do the customer use with the TELOS 600 ?
My answers to your questions here under:
1) we chose this heavy duty Swiss Made silver Coaxial
connector in order to perefectly match the speed of Goldmund amplifiers to
speakers of various origins . Also for its fastest and most neutral
design.
2) The connectors are not available for sale without the
cables which are custom made at Goldmund.
3)
What is the maximum gauge of a speaker cable, that this connector can use? : hereafter
the info I received from our technician:
-->
Please find the specification of the Goldmund Speaker cable for your
information:
- Power
Handling : 8.5 kW at 10 MHz.
- Section : Inner conductor 5.63 mm2. Outer
conductor : 2 x 7.4 mm2 crossed shielding.
-
Nominal Impedance : 50 +/- 2 Ohms.
-
Insulation : > 6 kV.
-
Material : Inner conductor : Cu 99%. Outer conductor : tuned mix Cu 96% &
Cu 94%.
-
Weight : 30 kg / 100 m.
-
Dynamic Minimum Bending Radius : 200 mm.
Hope it helps.
Thanks.
Best Regards.
Rodolphe BOULANGER
Sales Director" My recommandation: stay with the binding posts or try out how much that custom cable with your spec. would cost at
Goldmund.
|
Mr.
khiak For your friend's cable (
Passlab XA 160.8 driving Magico Q5 2.5 meter): 4 AWG.
|
Mr. kosst_amojan
For your waiting for me to describe this formula, I would kindly advice
you don't hold your breath…
Without insulting Mr. John Atkinson, if he would answer
this question already, you wouldn't ask for it from me now.
However, if you think that he can help you out, why you are not asking
him?
You better do, because this is the last time for me to answer you.
When you (or other) get in a debate to the stage you cannot answer a point,
and you go to bring quotes of others, it's a sign that you went short
and out of ideas. As so, you most likely bring to the table a quote you
do not understand. So the bottom line of such a case is you pull your idol into
a debate they never asked for, represented wrongly and badly.
|
I'm
no king and I'm no liar. A man is only as good as his word. I stand
behind my word. Do you.
|
Mr. dill
I'm happy you are back. For a little while, everyone was pro and positive,
being busy with their own DIY… I kind of missed the pickles, those who are
going against my idea in all possible way and also trying to get the knowhow
for free.
Why do you think I should give my formula to you and others?
I have a feeling that some of our pickles are planted represents fom firms
or dealers from the cable industry. Having me spreading the idea, without them having
the formula, is a big concern. I can understand that.
So far, I helped all who asked for.
Never said NO!
I Did it for free.
So no one can blame me of anything. Some guys already trying to get themselves
the proposed cable. One already did. I would kindly advice you to read what he
had to say. With some more patients, more will get to the finish line and be
kind to share. I would predict that their new sound will be also way better
than they had before.
The thing is "Big" because the speaker's cable industry kept
you all from accomplish the full potential of your sound system. Systems that
cost in a range of $5,000.- to $250,000.- and from this reason you enjoyed only
a part (sometimes as small as 20%!) of that investment rather than all of it.
As they spent that kind of money, they think that they have a high-end sound.
Well if you read the first sharing on this thread, you may understand what the
sound was before and after he replaced his cables. It reminds me the sharing of
my friend who got a set from me and I posted his impressions. You can connect
the dots. A clear picture will unfold here pretty soon. A beautiful one.
For asking the formula, in some aggressive and ugly ways, I wonder
if you believe this is the right approach to get it? The funny thing is that
all the pickles so far, showed very poor understanding in this subject.
|
Mr. geoffkait
What a story over nothing.
Your first par. refers to the
burn-in (BI) process without calling it by that specific name.
Burn in to a cooper cables!
I'll ask you again (asked you already
on the BI thread, you avoid from answering with your perfect manners):
What is a burn in?
How long does it takes?
When is it required and why?
Your second par. You do a statement,
as you are the absolute authority to define what cable is hi-fi, hi-end or
extra-hi-end, and what cable is not (trash cable). You are actually bringing
here the lord's word on cables grading. You
are the messenger. If you would understand the original old testimony it its
original language (Hebrew) you would know that the miss translated word "Angle"
to English is "Messenger" in Hebrew. From your extensive postings on
my thread and other's threads, you are none of the two for sure.
Just kindly remind you, that cooper
as an element has fixed (k) conductivity (ρ). It is 1.68x10-8. Or 1.59x10-8 for Silver
and it is only 5.3% better than cooper (I know this will make your day…).
A wire (cable) has a resistance (R
cable) that is: R = ρ x L/S
L is the lengths in meters and S is
the cross section in mm^2
I assume that your judgmental approach
is based on the cables isolator look, the color and a scale of reputation given
by the firm that you are doing all this for.
Your Third par. You go into some lyrics
about the sound. The sound of music…That is fascinating observation, that all the sudden
you can tell what someone's system sound's, in someone's room you never heard
with any cable, of what it sounds like now with a blue colored thick cable, in incredible
detail.
I'm impressed Mr. geoffkait from your lyrics, but I don't like
the tune, the rendition. You've got my attention and I got suspicious.
For the amount of time and effort you put into your crusade, you must have a
motive and maybe a sponsor.
|
Mr.
conradnash Thanks for your sharing. Could you please be kind to do it again in the format I asked on page 7 (this is important):
> Specify your Amp and speakers. > Specify the previous cable that was replaced: just gauge and length. Please avoid brand and model. Thanks. You may add how much that cable cost… > Specify your new cable: gauge and length. If other than was recommended, please notice what was recommended too. Then use your own words to describe your impression.
Thanks |
Mr. conradnash Thanks. Here is the excell of this subject as so far two had acomplished their cables and shared their impressions: imgur.com/a/dPO2o1p (add the http...when use the URL) Both spent under $60.- and ended up with a nice VFM. You know this market. What else would upgrade your sound by that much for $60.-? If you would like to change the level of satisfaction, please tell me what your score is. For the rest, who haven’t yet got to the finish line, please enter your sharing in the same format as Mr. conradnash did. Thanks.
|
Mr. geoffkait
What is between resistance and conductivity?
Yes, silver is by 5.4% better than cooper. But the cost...Mr. geoffkait,
the cost. Is 94 times higher. You can add 6% to the cross section and save the
cost of silver.
For the rest, as you are not responding to my questions, I'll take the
liberty to do the same.
I'll do answer myself regarding Burn In (BI)
In the military and airborne industry, regarding reliability the
attitude is serious. As so, they came out with MIL-STD-785B, MILITARY STANDARD:
RELIABILITY PROGRAM FOR SYSTEMS AND EQUIPMENT DEVELOPMENT AND PRODUCTION
and MIL-HDBK-217F, MILITARY HANDBOOK:
RELIABILITY PREDICTION OF ELECTRONIC EQUIPMENT.
The theory (I'll save you from reading all of it), is that a LRU (line replaceable
unit) has a life cycle and a life span. Most of its failures accrue during its childhood
and at the end of its days. A BI process (mandatory!) is done on each unit
(100% of all batches), in which the units are entered into a temperature chamber
that has a bottom vibration plate for 10 cycles. Those cycles are calculated as
the MIL STD requires, and their cycle's length and durations are set. By the
end of this BI process, the LRU is over its childhood and starts its failure
free life cycle.
At the same time the BI also surface craftsmanship and components with
poor margins. At an event of a failure, an analysis is conducted and the data
is accumulated. Pattern failures will surface engineering or reliability issues
if any. During the process, the LRU is turned off at extreme cold (-54 Deg. C)
and turned on at -40C. After some time at -40, it will climb to +55 or +70C for
a longer period of time. During all that the LRU is "ON" and runs a
BI test loop.
So how is that relevant to a speaker cable? As the LRU is not performing
any better at the end of the BI process, nether is a cable. BI is not about
performance. It is about reliability.
No one, even in the military and airborne industry ever do reliability
predictions or reliability verification for single wire. Also the MIL STDs
don't require it (it is required only for: SYSTEMS AND EQUIPMENT and ELECTRONIC
EQUIPMENT, as the MIL STD specifies).
The swindler part of the audio industry and sales borrowed this say to
get things working for them. When a guy gets an expensive cable or is
demonstrated with one, to be convinced to buy it, and the impression from
hearing cession, doesn't cut the deal, The BI comes to their help. It will buy
them time to send a full customer home with that item, waist its time (as
really nothing changes in the physical level, it remains the same cooper wire
with the same properties as before the BI), and the deal is sealed. Don't be
full and don't fall into this scheme. Another way to call it, is a full's story
over a bad product. An excellent deal for the sales man, but not a good deal
for you. Never buy the BI story. Don't be full.
|
The
cables prices do not reflect the elements prices of the crud market. You know
and all know that they are price is irrelevant of the material cost they are
made of. You have a tendency to twist everything in your favor, regardless of
what the truth is. It may show who you are and what your priorities are. Still,
none have to do with my thread. So far the prove of two dear members who posted
their share is on my side. I have one more of a friend from Vancouver BC. (Was
posted at an early stage of this thread). More will follow soon. What is it you
have on your side? Pickles (sour) posts. The Burn was your issue. You brought
it up. I condemned it from the beginning. It is mostly relevant to equipment
and systems never over a wire. Your support over the other thread on the
subject is clear. You also hold about 50% of the 756 posts of that thread, even
thou it's not yours.
|
Whom are you representing? Most cable manufacturers have no idea what
they are doing. They spread the message of unproved crap: Directionality, copper
purity, cryo treatment, or burn in. Some even add some box with passive components
on the cable.
I had this Sun. a job interview at RAFAEL. They asked for a phenomena of
a system they showed me the schematics, that got a problem of oscillating and under
voltage. I asked for the distance from the power supply and how thick were the
wires? I nailed it. It was way less than 160 ft. Your 160 ft cable shows that
you have no idea what a speaker's cable roll in a sound system. However, you do
sound as the average ignorant Joe that sales them.
|
Thanks Mr. geoffkait. I am so relived.
On the other hand, I wrote that you are from the cables industry and you
never denied.
So, that’s an admit!
It's nothing wrong with being one of them, as long as you state it with
your name, for all to know, but you don't! That’s wrong. It is obvious you are caring
their message and care for
them.
They have no idea about speaker cables. They provide cables to all,
without having any knowledge of what is the cable each of us need. No
calculations, no science, no engineering, nada. Only urban myths they created
to cover their unfortunate ignorance. This is about "your" truth.
As you stated, in your own words, the rest are lies and you are a king
of lies.
Look at those who already made the recommended cables. They spent money
before on cables that didn't deliver. Some shared of many thousands spent and
not being happy with the result! Now, at first attempts, with my help – it is on
spot!
It would make more sense if the cable industry would be able to do so
and not a b4icu guy from Israel, first time on this forum. Unfortunately, the
cables industry been established a reality you try to protect and support, that
is taking advantage of the audio clients. As you are part of that industry, it
is clear and understood from where your endless effort and perseverance is coming
from.
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Mr. Dill Obviously you do NOT read this thread nor understand what it is about. Please add the https:// in front and than imgur.com/a/WeAn11u All who made this DIY and shared got a 0 AWG. Some recommendations were for 4 AWG. But for some, who insisted of longer cables because a fire place or the management, or one guy who approached me on the private messages that had an exceptional amplifier, because of that needed more than 0 AWG. If I would be a cable's dealer of a maker who have non 0 AWG on its line, I would state the same! |
Mr.
skyscraper (Mike)
Speaker
cables are wires to connect between your speakers and amplifier. They should be
of a specific resistance that mostly depends on the Amplifiers and speakers specifications
and the required length. Unfortunately, no cable maker is kind enough to tell
you what right cable is for you, using an engineering method. They mostly tell
you of some properties, like directional wire, cryo treatment, burn in process
and more. All this has nothing to do with the subject but an elegant excuse to
charge a lot for it.
As
for my method (calculated) cables, some are getting really thick. Cable brands
charge for that kind of cables (0 AWG and thicker) an arm and a leg. This is
why it is best to keep those cables as short as possible. Sometimes two mono blocks
would cost you less than a set of long and thick speaker cable. For every time
you double the length of a cable, you need to double its cross section too.
DIY
is up to you. Find your materials, put them together by yourself and you are
ready to go. Some who did it here ended up under $60 for a set. Do they look as
nice as a readymade cable that you buy? No. Do they do the job? Yes. VFM:
excellent and beyond!
By reading
their sharing, they absolutely do. It was on spot from the first try. One guy
already spent in the past as much as $2,000 on a single cable, and way more on
multiple cables and none was as good as the one he made by my recommendation.
His sharing is absolutely amazing.
Not
all have the skills or are handy to get along with such a project. It is not easy
to work with thick cables. When you need cables thicker than 0 AWG, as 2x 0 AWG
or 4x 0AWG, no one I know about, can do that. I can. I developed a way of
getting there…It involves ordering special made CNC parts of cooper bars and
more.
Tell
me what equipment you have and I can calculate for you the cable that would
serve you best.
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Mr. glupson
Thanks. For an educated summery and for bringing this thread back to a
civilized conversation. This mod wrestling with the industry hidden
representative is so wrong.
I try to avoid a "one cable solution for all" as it is not the
right engineering approach. Even your 2-3-4 suggestion is not proper. A 4m long
cable must be of the double the cross section of a 2m long, to keep the same
resistance. On the gauge table it is like going from 1 AWG to 5 AWG! The 2m
would be a 3 AWG etc'. For those who cannot do with a short cable, and they
must use a long one, the cable will get thicker. It easily can get as thick as
4x 0 AWG at some lengths.
I said loud and clear that the cable resistance is up to the amplifier
(some speakers might be different, but most apply to the say: No matter what
speaker you are using!). Different amplifiers would imply different cables
thickness, even if we stick to a short 2.5m length.
Tube amplifiers have such a low DF that a home phone cords would do. As
the DF rise, so gets the cable thicker (lower the AWG). When DF is 150 the
cable you need is different than when the DF is 500 or even higher.
Some D class amplification, have extremely high DFs to exceed 5000! The more
practical way to relate that (by the Amp designer help) is to say the actual DF
is 1000. Still a relatively very high figure.
I'm not sure that the DIY is a solution for everyone. My friend in
Vancouver, even I've told him everything he needed, he asked me to make him the
cable. He was willing to pay me for the expanses and labor. I charged him only for
my expanses.
I will repeat that it is difficult to work with such thick cables. I've
been in that movie. My embracing for all cable's ending is a banana plugs.
Spades are not as good, and so is the bare wire (not practical for an 8 AWG or
thicker). I'm aware that some binding posts cannot have banana plugs!
The way to go from a 0 AWG cable to a banana plug, is with a short wire
that will fit the banana plug and then to connect it to the thick cable. This
wire shall be as thick as possible and so as short. It shall still have some
length to enable the cable's strain relief. A 0 AWG cable is stiff. It is recommended
to use a crimping method and not soldering. The entire end shall be protected
and isolated with some shrinking sleeve. The cable must be reliable and last
long. It also must be safe to use and never risk your equipment.
I do not think that the cable or the banana plug needs to be expensive
or get into the definition of hi-end. This say piss's me off, as the 12-14 AWG ordinary
cables on the market, are practically limiting a good sound system by 50%-80%. They
still sold for a lot and called hi-end. A bit awkward. What wouldn't the maker
say to get it sold for more $. I'd found that some materials are better to work
with over others and do the job as well or better. So I gave up the obsession on
the say and criticism, over practicality and good compliance to the
engineering requirements.
So far, I didn't say much over the DIY solutions that some members of
this forum came up with. They were creative and their cables do the job. They
also ended up with extremely low cost. They might have some reliability problems
on the long run. How your presidents say: "We will see. Something will happen".
I assume that the average sound systems involved were of $10,000 range. A $60
cable cost is respectably amazingly low. From the comments of the difference in
sound, the VFM is outstanding. You know the audio market. No one can upgrade
that much a $10,000.- system for a $60.- investment. The only way to get better
than that (VFM) is to place better the speakers. But that is a shame on who
didn't done that already (-: Another way is to drink a nice glass of wine (-:
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Mr. glupson
I'll try to describe the current state of the speaker's cable industry.
After all, if we want to know where we are heading, we need to know from where
we are coming…
No speaker's cable maker, have a tiniest clue of what cable we need.
They also do not know why one cable sounds better over the other. They have no
idea what are the electrical (engineering) values that make one cable better
over another. An absolute groping in the darkness. For that reason, they
"invented" a lot of preposterous pleas to cover the misunderstanding
and ignorance: directional cables, cryogenic treatment, cooper purity, skin
effect, burn in and more. None would hold a scientific confirmation or
any evidence. No other field using wires got such an attention. From
NASA and space programs, to the highest level of airborne and military equipment,
life saving medical equipment or cell phones. Only audio cables did.
Most speaker cables are made thin (12-14 AWG) because it is easy to use
with spades and banana plugs that are common in the market. They won't go thinner,
as it would be ridicules but they won't go thicker as it is difficult to do. So
we ended up with an average 12-14 AWG, regardless of what we actually need.
At the same time, speaker cables (unfortunately also other cables) were
priced absurdly high. As this is the holy grail of the audio industry. I
must admit that marketing went well and the industry flourishes. A ridiculous
situation with poor consequences.
Now comes the worst part, after understanding that the speaker cable
makers were fooling us since dome of days. A speaker cable is actually crucial
for a good sound. A poor cable can ruin it and it really does. At a time the cable
makers were title their product as High End, they were practically destroying a
good sound system that could sound terrific, with a "so wrong" cable
that would prevent up to 50%-80% of its potential. If they call a cable that
kills 50%-80% of the sound a high end cable, what should they call a cable that
delivers the absolute 100%?
Unfortunately it is not their cable, so you have seen some of those say
on previous posts. Such words, are shallow and do not tells you the truth. They
only cover over a mediocre or bad product wrapped with pretentious
words.
To show you the difference, between a ready purchased, reputed cable
maker cable and a cable that is DIY (less complete in structure) but of the
right electrical properties, here are two testimonies:
Mr. Wilson, who exchanged a
Transparent Audio Laboratory 14 AWG 12 feet long cable, that costs About $250,
with a 0 AWG 2.5m long cable: "My initial impressions: It’s
like having new speakers. The sound is pure and clean. Minute details are
suddenly apparent. The range is amazing. Highs, mid-tones and a new bass that I
didn’t know my speakers were capable of. I wonder now what I need the new …
subwoofer for! It feels that for all these years my
speakers were being chocked and suddenly they can breathe and have their full
voice. To say I’m happy about my new speaker cables is an understatement. I’m
thrilled. Thank you for building these superbly engineered cables to unleash
the full potential of my home sound system". Mr. keppertup
who replaced a 16 AWG 1.5n long cable with a 0 AWG cable of the same length,
that cost him $57.00 ($45 plus shipping): "The results are stunning. The amount of undistorted energy
filling the room, is jaw dropping. I keep turning up the volume to levels
that previously irritated my ears, and experience no irritation. In the
modified lyrics of B.B. King, “The shrill is gone.” My wife is hearing
new detail in cuts she has listened to many times before".
No other components or placement
were involved, only one speaker cable over the other. This kind of testimony reflects
my say of a maker so called "Hi End" speaker cable, replaced with an unlabeled
cable that delivers 100% and not only 20% or 50%. I would grade those testimonies
as 10/10.
This may not be that
dramatic to all. If those testimonies were on the upper side of the scale, Mr. conradnash
had a experience like 7/10. Not bad at all for that kind of investment.
I look at it, as I'm
holding in my left hand, the speaker cables industry, with all that history and
tell and my theory and cables made accordingly in my right hand. This is a clue
of where we are heading, and from where we are coming.
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Mr. geoffke
If you would read my post on the previous page over a job interview at
RAFAEL (you can go to their site and see what they do! – From space to military
at the top technology available. They developed the iron dome and the wind shield
systems), you would find out that me telling them to use a shorter and thicker
cable, over a problem they presented, was my ticket in. Unfortunately, your
understanding on the subject is so dull that you can't tell left from right. I
hope it is not too late for you to study.
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Mr. grannyring Sorry for your long post. I know it is hard to accept when someone claim such a thing. I had asked this question, of what shall be the right speaker cable for long and never been answered properly. So I took things in my own hand and figured it out. When that happened, I realized how much the industry leaks knowledge on the subject. I never said that the people in this industry are not smart or gifted. I only say that none put the effort to find out the truth over this subject. It is most likely, that if they would, they might come out with something. But so far, they didn’t. I would expect that you prove me wrong by bringing up someone (from the industry) that has the knowhow. From that long list of smart people, you proclaim from the industry, you can’t point at one who has the solution. You don’t for a reason. So you don’t have even one to prove me wrong. On the other hand, those testimonies prove me right. The more will do it and share, the better. At the same time, the cable market is not doing any good to this disturbing question either: What is the right cable for me? Even thou you put it a bit awkward I am not shamed but proud of it. I am sure that if you would do this discovery, you might have been proud too. I am even more proud I could help already some to get a way better sound with their DIY cable. You have no idea, what those testimonies mean to me. With a little help, people all over, in the US, Canada and the UK did it and they are happy. I’ll remind you that it is all for free. |
RAFAEL: http://www.rafael.co.il/4312-en/Marketing.aspx
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Mr. Dill This is all you have? Comeon, Mr. Dill you can do better than that. Like tell us what cable firm is that you represent? |
It seems that a lot of posts were clutter. Not a big deal. Lesson was learned, especially when those who wrote them have a clear interest on this thread. From now on I’ll try to avoid them. Let’s call it spam. I’ll rather concentrate on answering people’s questions, of what cable I recommend to their setup, and add new sharing to my table and post it, with comments if any. Regarding some big names in the industry that do their own spades and banana plugs, I doubt it. It is most likely they have an OEM source, to order and buy from. However, even if they do make spades and banana plugs, it is not a good idea to connect those directly to the thick cable (like a 4-0 AWG). From my point of view, they never wonted too, as they never thought this is the solution for the speaker cables problem. If they would, they most likely would try it already. |
Mr. stevecham
If audio signals and video signals would be the same, most likely we
would need only one name for them. They have a different nature, especially
that speaker cables deliver a higher power / current than a signal cable, like
an interconnect cable or a cable TV.
For the same reason, USB cables are different than video, and so is LAN.
All for a reason. Video and interconnect cables need shield (EMI / RFI) while
speaker cables don't. The idea to put them all on the same pile and assume that
if it is a cable it can be any cable, is basically wrong. Every type of cable
has its individual design and rules, its individual property and its individual
task.
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Mr. grannyring
Thanks for coming forward and saying you are a cable seller. Just
for a curiosity, how do you match and offer a speaker cable to a customer?
Could you please describe the process and the method to do that match? Thanks.
I tend to agree to your say regarding the so far made DIY cables to be properly built cables
that have been well maintained (for under $60 they are very nice and good).
They can do to improve that DIY in time. You say "higher quality". Do
you mean higher quality built?
What is higher quality cable, if the new DIY tried here provided way
better sound than the previous cable. The only parameter that a speaker cable
has as a quality is its resistance, to match the amp's spec. Nothing is of a higher quality than a
perfect resistance match.
The cable I built and sent to Vancouver BC, my friend took it to a Hi-Fi
store to compare it. The sales man used a Nordost cable worth $3,000 to compare
with. My cable performed better than the Nordost. It was not a perfect match to
that amp. (Anthem) that they hooked up with. Most likely that the Nordost was
even a worst match. When my friend hooked it up to his amp (Emotiva) things
really got nice. You can read his testimony…a few posts earlier.
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Mr. Mitch2
Sorry you missed some of this tread, explaining that every amp-speaker
has its optimum cable, by engineering calculation. The tweaks of a sound system
shall be done other than on a copper wire between the amp and the speakers. No,
no one cable for all. The cables are different by the equipment they serve and length
required.
Not to say, that the claim is of having a speaker cable that would bring
out 100% of a system, rather than have a wire you or others might suggest, that
you think is good sounding, but would deliver only 20%-50% of that system's
potential.
Please be kind to read the sharing on this thread, of people who made
the change and were kind to share. None of the cable you are talking about
would get this kind of improvement.
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Mr. grannyring Thanks. I assume this method of "voice cables by ear" would apply when you sale a complete system, to include the amp and the speakers. What if a customer comes in just for a speaker cable, and has a gear that you are not so familiar with its sound? If I may summarize your method, it is mostly based on your intuition and some past experience that is based on your personal likes and dislikes. I have a little problem with that. You may know by now, that two people can listen to a system playing in an environment, and have different say about the very same sound. Wouldn’t you feel better if you would have a blue print or a formula in hand, that would specify by engineering methods what is the optimum cable that customer really needs? What is the thickest cable you can offer a customer? How much that cable cost?
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Mr. grannyring
Thanks
Do any cable maker provides with their product some guidance,
instructions or suggestions, what cable may fit best a given system or be the
right answer for a customer need?
Or they leave it all in your (and many other sales people) hands?
In your words, if someone would come and say that his sound is on the
bright side, you would suggest a speaker cable that would solve that? Or if a
customer would ask for a cable that would bring to live the highs, you have a
solution for that, with a speaker cable?
So for a customer that would like to improve his bass. Have it stronger
and tighter?
Could you please answer what is the thicker cable you have to offer and
what it costs?
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Mr. han_n
I think that all the combination of the elements (cooper/silver/gold) is
only to have a certain resistance. If that resistance is equal with two cables
built different and from different elements, they will sound the same on a
given system.
Regarding the feedback of the M1, it is interesting. It might be the
strongest sales point of this amp. and for you any setup from 0% to full scale feedback,
doesn't make any different. why is this amp. better for you than any other
amp.?
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Mr. grannyring I think very different on the matter. A sound of a system should not be played with speaker cables or any cables. Hi-end pushed away the old (70’s) tone controls, EQ and other options to fiddle with the sound, on demand for purity. No distortion, no phase shift and no unnatural effects to the source. So why let some cable, we know nothing about its properties, or how it affects sound take command? Using ears to measure the sound quality. You may know that our ears are not a measurement instrument. Have you done lately a hearing test by lab? You know that a man’s hearing is dropping with age and may be damaged by some noise to exposed to in the past. This method of accepting someone’s word claiming he has the golden years, would need more proof than a calculation method. As I said before (I don’t like repeating myself), when a speaker cable has a higher resistance than it should (not optimal vs. the amplification), it disables the system to deliver its full potential. The way I see it, that you play with that figure and practically do more damage than good. Who wants a sound system that he paid for $10,000.- to be used at only 20% or 50%? It’s like throwing $5,000 - $8,000 to the garbage can. I would like to believe that if you put this question to all clients, they would ask for the full 100%. At a time you have the impression that you are getting someone’s system better, you just play along that range of how much of the optimal sound it will deliver. Even when you apply a cable that you and the customer likes, you may have no idea where are you on that optimal scale between almost nothing to 100%. It is a blind shot in the dark. I would rather take an approach I can deliver the full 100% every time (using some math rather than be depended on someone else likes and experience). With my way, I can not only calculate, what the optimal cable is, but also calculate a given cable, how good or far it is from being optimal. That may give you an idea of some of your recent recommendations, how close and good, or how far and bad you did. You never answered me of what is the thickest cable you got in your shop and how much that costs? However, you did rest my case about no one really know what is the right cable especially those who make them. If I would try several dealers, with different experience and taste to sound, I would end up with as many different cables as dealers. To my perception its wrong! |
Speaker cables and their sonic influence.
A speaker cable is a wire. It has no components (well, some do have a
box on the cable, like MIT), and no power source. So it is a passive element. A
speaker cable roll is to pass the amplifier's output to the speakers 1:1.
Any cable that doesn't do that is actually attenuating that amp's output
in some way. If you connect two (or more cables) between the same amp and
speakers, and they sound different, all but one, or all do some damage by not
passing that signal 100% to the speakers. Only that could explain the
difference.
Capacitance (C) and inductance (L) even if there is some, its value is
very small. The capacitance is in pF (10-9) and the inductance in uH (10-6).
Such small value, in a circuit that the amp's output resistance is close to
null, has no audible (more than +/-0.1dB) effect on FR.
In a sound system we have plenty of elements that do influence the end
result. It starts with the speakers of choice, the room we place them in, the
placement of the speakers in that room, and then the electronics. Why do I need
more variables, like cables to modify our sound? Where did you go wrong with
that list, ending up looking for a remedy with the cables, and also willing to
pay for that?
As we gave up the EQ stuff, when each slide had its clear frequency and
gain set, we are getting back an EQ (sought of) with no idea what it really
does on the frequency band or at the level of attenuation to our sound. We just
follow blind folded our ears or a sales guy say, without having the tiniest
clue of where we were and what do we ended up with. Throwing a dice has fewer
options!
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Mr. kosst_amojan
Please watch your language. I gave you no titles and kept this thread respectful.
This will be your last slip.
A speaker cable is a wire. Wires should not have other than resistance
value. What turns a resistive component into impedance are capacitance and
inductive elements. A cable that brings lots of that is a bad cable. Most
cables (that has the red and black wires together into a single cable, are
having some of that as they are having some isolation and they tend to be a
twisted pair). My idea as presented to your convenience DIY, are
singles!
But even if you use a cable with such impedance properties, they are
tiny. As the amplifier's output resistance is very low (exclude tube and tube
alike) those impedance values are negligible. So they are with the capacitors
and coils values found inside the speaker (crossover).
I wouldn't put my money on that cable impedance, unless you can prove
some FR variation by calculations or measurements. It may have a FR deviation
on interconnect cables. They are connected between two relatively higher input
and output resistance of the components they connect.
An audio component input resistance is of 10k Ohms or more (A MM is 47k
Ohms). A speaker's input impedance is 4-8 Ohms. So is the output resistance
ratio. Interconnects have way higher impedance values than speaker cables, due
to the shield and structure. So what may apply to an interconnect cable, is far
from being correct for a speaker cable. Please be kindly reminded that this
thread is for speaker cables.
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Mr. grannyring
Thanks.
When do you think you will get that 0 AWG cable and share with us?
Please be kindly reminded to use my format to present that data. Thanks.
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