Newbie needs advice for upgrade.


Hello,
I've some questions in regard to upgrade options for my living room rig. If any one word could be used to describe my set-up, it's shoddy. It's tolerable, but barely so...

Anyway, here's the rundown:

Rega Planet ->
The Chord Cobra 2 ->
Rega Luna ->
(erm, the rest is embarrassing)
Monster ->
Yamaha Sub ->
Monster ->
Mission 5" bookshelf speakers

This system leaves much to be desired, this is not to mention that the room that it is in is open to a sprawling studio apartment layout....

Okay, no more apologies.

The reason that I am here is to find some recommendations for a speaker upgrade. I have noticed recently that the port on both speaker cabinets are emitting a fluttering sound due to excess stress on the cones from lower frequencies (perhaps someone could explain what might actually be causing this since I am a total novice). I could swap out for new drivers, but I feel that driver replacement is silly for an entry level speaker.

I have been eying the PSB SubSeries 1 to replace the Yamaha, as it is within my price range, but that is to suggest that I am going to stick with stand mounted speakers. I love the idea of getting my hands on some floor-standing full-range speakers, but these are typically very expensive and I don't know what the Luna is capable of driving.

To put it simply, the sub has got to go, the Mission's are near toast and the speaker cable is depressing.

Based on the information that I have given, can you make some suggestions for my little stereo?

Any input is appreciated!

Greg
escudemor
what kind of music do you like to listen too and how is your listening room laid out?
what kind of budget to you have to work with?
Post removed 
Thanks all for your input. I appreciate the kind words and outpouring of advice! I have to say that I didn't expect such a quick response from the board.

Several of you have suggested near field active monitors, and this is something that I've considered but what about the "near-field" part? Some time ago, I had a pair of powered Event TR-8 monitors that I used for DJing, but unfortunately I had to sell them. I enjoyed them quite a bit, but they didn't seem to project very well as "general listening speakers" as much as near-field reference monitors.

Rleff asked:
"what kind of music do you like to listen to..."

I primarily listen to various genres of electronic music, including beat-driven styles, ambient and experimental electro-acoustic as well as instrumental rock, but I've been slowly getting into contemporary classical and jazz and singer/songwriter stuff. If you have some suggestions for speakers based on the kind of music, I'm intrigued.

"...and how is your listening room laid out?"

The room is a coupled space nightmare. It's a kitchen and living room in one that measures 23x12' that is open to a room/hallway/office with odd dimensions at about a quarter of square footage. There is an open doorway and open wall/window thing that joins the two spaces. The space feels good because it's so open, but...

After thinking about this a bit more, I suppose that the amount of air displacement required for this cavern is simply not to be expected of these little Missions, let alone a pair of studio monitors. Am I mistaken? Is it a matter of tweaking parameters and levels on some more in-line gear? I don't want to color the sound too much.

Bob_reynolds asked:

"Does your Rega integrated amp have both preamp out and main amp in jacks? If so, then you should be using a high pass filter in front of your main speakers so they don't have to handle bass. That's the sub's job"

YES, it does. Is the filter something that can be run in-line between the sub and mains, or is this something that the sub should be designed to handle? This sub has one, but it still allows a considerable amount of low mids through that are distorting the little 5 inchers. Perhaps the issue here is the lack of synergy in the speaker system as was mentioned by Jrinkerptdnet.
Recording studio monitors are not large stage or musician monitors. Their purpose is different.

You've seen the smaller, sealed off studios where the recording engineers sit in front of large mixer boards? There's usually 2-3 pairs of different monitors in their "sound rooms".

At 4-8 feet or so, near-field monitors attempt to provide perfect sound reproduction in a smaller "sound room" for recording engineers. Within this smaller sound envelop, they mix tracks accurately to sound best on the vast majority of speakers in the market. They use 2-3 different types of studio monitors to help get the best possible final mix.
Here is a thought - try to find used Energy Veritas 1.8 (or others but the 1.8's were very good) and then get something like a Bryston 4B ST used to drive them. But watch out the neighbors may complain about the noise...so you had better invite them over!