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New Rowland Criterion 2-chassis battery pre

Jeff Rowland Design has just created a page for its upcoming statement-level, twin chassis, battery powered full function preamplifier. Detail is still scant, but a little bit of info is already available, in addition to front and rear view pics. Here’s the page:
http://jeffrowland.com/Criterion.htm
And here’s the front view:
http://jeffrowland.com/Criterion-front.htm
And here’s the rear view:
http://jeffrowland.com/Criterion-back.htm

You will find a few specs already on the site. JRDG should be publishing more info in the next few weeks. I will post here as I receive it. in addition to the published specs that you can read on the page above, here are a very few additional tidbits that I have learned this far:

. Uses Burr Brown TI OPA1632 high speed fully differentially balanced modules.
. Includes phono stage.
. Uses standard NiMH D-cell batteries available in most electronics stores, loaded in 2 rear-inserted tubes of power supply chassis.
. Capable of AC/DC operation . . . will recharge batteries on independent circuit during AC operation.
. Full remote control
. Target price $18K (not sure yet)
. Availability: probably early Fall 2008.
. Will be featured at RMAF in Soundings Hifi suite Marriott 503 or 505 from Oct 10th to 12th in Denver.

And sorry folks, I have not heard this device yet. Nor I have any good third party reports on its sound. Any speculations on Sonics from my part would be just. . . pure speculations. I’ll keep everyone posted as I learn more.

Guido
guidocorona

Showing 7 responses by audiofil

audiofil
17 posts
 
Guido, it was the Grace remote and I just happened to call JR on another issue..
audiofil
17 posts
 
I was not able to read all posting, so I apologize if this is redundant. One fairly practical design element that is often so annoying in other brands and components and used only by few other manufacturers is the dot matrix display. It is curious to often see equipment addressed to obviously the both financially and age...aged markets with rather invisible data displays from most rational system placement locations. Perhaps acoustically unwarranted, but I will not bring the P05 home to my -4.5 diopters unless they do something with it.....So do I part with my still unpacked silver Capri and go for the Criterion?
audiofil
17 posts
 
Guido, I am sorry to hear, or rather read about your handicap! You are most likely correct about the possibility of modifying via firmware. Dave, that's exactly the other issue of not being able to assign custom names to sources in the Capri situation. In today's world one should also be able to pick a color of choice for all LEDs in a given device. I spent much time discussing this with Larry at Magnum, but the market trend said blue and the nights of music suddenly turned into a fiesta of lights-into your face. In my humble view too much attention is given to radical styling and submission to fashion, and still a lot of work remains in the ergonomics for most brands.
audiofil
17 posts
 
As for the Capri (I have to ask Jeff again about this) you still cannot display the balance situation. My hands have not touched the Criterion, but it appears that Jeff employed the slightly larger M&Ms. Then there is yet another element rapidly changing in video and not seeing new technologies in audio. Connectivity. Today, the traditional XLR and RCA could just as well be replaced with something smaller in size and also with better performance as well as the ease of use. I hope new standards will be implemented in the near future - a market wide benefit to all. There is an enormous amount of new technology in connectors today... By now we should all be used to illuminated switches, as well as illuminated remotes, but how many can you list? BTW, what is the Criterion remote look like? The Cardas implementation by JRDG is clearly a winner and I hope more brands would use this solution. In any case, the Criterion today looks just lovely.
audiofil
17 posts
 
There is balance reset method in your manual. The other, lets call it interesting, thing about the remote itself is that it stops working sometimes and there is a simple fix. Strangely, I have a Grace Design 902 from Mike Grace, an ex employee at JRDG, who has been for sometime running his own shop with magnificent products and still gets the remotes (which are identical) from....Jeff. Something I missed in the GD manual and I brought the remote back from Europe for replacement, when all one needs to do is simply remove the batteries for about an hour for the unit to self reset. Not being able to see the balance is in my view a significant miss.
audiofil
17 posts
 
I would like to see a photograph of the Criterion surrounded by the "most beautiful women in the World", the ones straight from the streets of Rio. I am sure Jeff would like to have a shot like that as well. That would be some carnival! :-)
audiofil
17 posts
 
I agree that the Rowland product is somewhat tamed and my comment pertaining to fashion was a general one addressed to the marketplace as a whole.

Then again, if you go for the right feel, the switches on the JRDG are in my view too small and oddly shaped for comfortable pressure to be found (here imagine what fun would it be to have them in different colors, just as large like the ones Tandberg once used on the 910!) I think as B&O lost its design factor appeal by having employed an outside of the industry stylist a good number of high end products are still just an engineering vision turned reality without the involvement of the right and talented industrial designer. Please take note that I am not addressing this to any specific brand. To comment Dave's reply, I differ here and I am a strong advocate of sharing the music system as an appliance with all others. Appliances are however best when they are good, robust in performance, reliable, beautiful and intuitive to operate by all.
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