neutrality vs. realism


What is actually the final goal of high-end audio: to reproduce recorded music as neutral as possible or to give the highest possible level of realism? For some manufacturers (like Spectral and Madrigal) it is the ultimate goal regarding their amplifiers, to sound like no amplifier at all. There is less coloration, less "house sound", more "truthfulness". I think this is a good basic consideration, but it must not derive the sound of it's musicality. Those amplifiers are generally sounding lifeless! Don't get me wrong, this is not about the tubes vs. solid state controverse at all, because I think that solid state amplifiers are able to give a high level of musicality without sacrificing neutrality (Boulder, FM Acoustics). What seems perfect on paper is not always the way to go: "neutrality" and "perfect measurements" are not the synonyms for musicality and realism.
dazzdax

Showing 1 response by rwd

I would like to add my 2 cents to this question....

"to reproduce recorded music as neutral as possible or to give the highest possible level of realism?"...

I remember (many yeras ago) visiting Lyric Hi-Fi in NYC. The great Mike Kay demoed the Mark Levinson ML-1 per amp against Audio Research SP 3a-2. The Levinson, to me was more neutral, clean as spit and polish and astonishingly fast!! The ARC, however, sounded (to me) more like the concert I went to two weeks earlier! For me...it was as simple as that!!

Rick