neutrality vs. realism


What is actually the final goal of high-end audio: to reproduce recorded music as neutral as possible or to give the highest possible level of realism? For some manufacturers (like Spectral and Madrigal) it is the ultimate goal regarding their amplifiers, to sound like no amplifier at all. There is less coloration, less "house sound", more "truthfulness". I think this is a good basic consideration, but it must not derive the sound of it's musicality. Those amplifiers are generally sounding lifeless! Don't get me wrong, this is not about the tubes vs. solid state controverse at all, because I think that solid state amplifiers are able to give a high level of musicality without sacrificing neutrality (Boulder, FM Acoustics). What seems perfect on paper is not always the way to go: "neutrality" and "perfect measurements" are not the synonyms for musicality and realism.
dazzdax

Showing 1 response by nilthepill

Realism. Always. Because Neutrality implies measured flat system response from 5 hz (or whatever that low is ) to 20K hz (or whatevr that high is) at certain intervals say 16 hz , 20 hz, 32 hz and so forth. What happens in between is what the Realistic well nuanced musical system sounds.

Realistic well nuanced musical system reproduces realistic tonal balance not only fundamentals but also lower and upper harmonics of an instrument. Analytical Neutral systems don't necessarily does that hence could be uninvolving.

Other way to look at this is: A piano notes from 25hz lowest to 8 K hz highest. Analytical system can measure flat even say (but may not) 25 hz, 26 hz, 27 hz and to 7999hz , 8000 hz of piano notes. But what happens at undertones, overtones, overall tonal balance. There is no way to measure the' flatness' of these wide band at each freq cut-off.

Therefore a realistic, Well nuanced musical system, if there is way to measure, will come close to live sound of the same very well recording.

GOD IS IN THE NUANCE (realistic). An audiophile slogan.