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NAD M51 vs C510

I'm having a hard time understanding something - I'm shopping around for a new DAC, and the NAD M51 comes highly rated. About a year ago, NAD released the C510 with identical specs. However, it's $500 cheaper than the M51 with the difference being the M51 boasts a better power supply. I asked the sales rep what that means in the real world, and he literally said "I couldn't tell you." So if the 2 units have literally identical data sheets, what does one get with an improved PSU? Specs below, from the service manual for each unit:

M51:

Rated distortion (THD+N with AES 17 flter) <0.0005% (ref. 1 kHz 0 dBFS)
<0.002% (ref. 1 kHz -60 dBFS)
IM distortion <0.0001%
Signal-to-noise ratio < -123 dB (ref. 0 dBFS 2V out)
Channel separation > -115 dB (ref. 0 dBFS Volume -1dB)
Sample rate 32 kHz to 192 kHz (USB and digital S/PDIF)
Frequency response ±0.5 dB (ref. 20 Hz – 96 kHz @ 192 KHz sample rate)
Output level 2V (ref. input 0dBFS)

C510:

Rated distortion (THD+N with AES 17 flter) <0.0005% (0dBFS)
<0.002% (-60dBFS)
IMD Distortion 0.0001%
Signal/Noise Ratio <-123dB (ref. 0dBFS 2V out)
Channel Separation >-115dB (ref. 0dBFS Volume -1dB)
Sample Rate 32kHz to 192kHz (USB and digital S/PDIF)
Frequency Response ±0.5dB (ref. 20Hz - 96kHz @ 192kHz sample rate)
Output Level 2V (ref. input 0dBFS)
caustic386
caustic386 OP
5 posts
 
Interesting idea - I never would've thought to look at the internals, mainly because I have no idea what I'm looking at.  Thinking through both poster's points about Digital Pre vs. DAC - they seem to have the same feature set.  Same # of inputs, outputs, etc. - no room correction, effects or anything like that.  With that in mind, what constitutes one as a pre vs simply a DAC (marketing aside)?

"High end" audio is so confusing...
auxinput
2,920 posts
 

Reading on these, it appears both M51 and C510 can be used as "digital preamp".  Both have a output buffer stage, which should be able to drive an amplifier directly (i.e. no need for a preamp in between, unless you want a specific preamp to help shape the sound).  There is no analog or resistor based volume control.  The "volume" attenuation is done all in DSP by upsampling the PCM signal and changing the original 16/24-bit word to 35 bits and then reducing the actual waveform mathmatically.  This is similar to how Oppo does the digitial volume (bit in 32 bit realm).  Everything is done in DSP software and output in PWM DSD type voltage injections.  There is no conventional ladder-based DAC chip in use here. 

I've never heard one of these, so I cannot comment on sound quality.

caustic386 OP
5 posts
 
I've never heard one of these, so I cannot comment on sound quality.


Your input is valuable nonetheless - thank you!!
oddiofyl's avatar
oddiofyl
3,887 posts
 
I have a M51 and its a great DAC....   I never used it as a pre but it is the best sounding "source" component I've ever owned.   It also has the best digital volume I've ever used.  In fact the only gripe I have is that it doesn't have some sort of volume control on the front panel,  a serious omission if you want to call something a "preamp" .   I use a pre without a remote volume so the M51's remote does come in handy.   I think they would have sold far more if they had a front panel volume.  

It's unlikely I'll ever do away with my preamp so the M51 is perfect for me...  If you think it will serve preamp duty for your digital sources the 510 may be better.   

Spearit Sound always has demos and factory refubed NAD gear at great prices....you should check them out.
caustic386 OP
5 posts
 
It's unlikely I'll ever do away with my preamp so the M51 is perfect for me...  If you think it will serve preamp duty for your digital sources the 510 may be better.
It sounds like we'd be in a similar situation - literally my only source is a HTPC, so for all intents it would also serve as my "source."  Interesting that you have a pre with no remote volume - I don't think I've ever seen that?  (unless you just lost the remote :)
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