Hee Forddonald you are getting a taste of the madness that analogue engenders! It is certainly better than cd (but worse than good fm). And now you are christened into the belt vs dd vs idler and rich vs poor debates all at once. I own a Lenco, the most maligned tt yet it beat my Garrard 401! Also, Hi Fi World Magazine Editor David Price has of late been astonished by how wonderful his Technics 1200 is with a few simple mods, certainly high end, and maybe in Michel Orbe territory, the last turntable to dent his beloved Orbe - a Garrard 401! My god its a circular game this life of ours, and dont get me started on tuners, the 30 or so i have had in my system have driven me nuts, with a tuner i paid $5 currently giving me gooosebumps and epoplexy in equal measure!!!!!!!???? I need the hi fi doctor....
My LP couldn't beat my CD, until now
I'm an owner of a new VPI Scoutmaster w/Sumiko Blackbird cart. I, like so many recently, have returned to vinyl after a long time, seeking (as always) the absolute sound.
I'm an 80s kid; a product of the CD revolution. I enjoy my Slim Devices Transporter and all the convenience it delivers. However, I've felt that there's been something missing around music listening, and everyone's talking about analog anyway, so I took the plunge.
Imagine my disappointment when I set up my new 'table, wire it all up, and the first few albums sound flat, a little shrill and generally thin compared to a good rip of the same music off of CD.
I chalk all this up to break-in, to everything in the signal chain from the cartridge to the amp being new and untested. I'm also new at this, and have never set up a tonearm in my life (my goodness, it's a fiddly exercise).
I give it 20 hours of playing time or so, forcibly choosing not to judge. I wait patiently for everything to work in. Still, I find most recordings of everything from Pop & Rock to The Firebird Suite to be palatable and fine listening, but far from the nirvana of naturalness and organic ease everyone says is on LPs.
Well, friends, I think I've had one of those 'holy cow!' moments that come in audiophilia so rarely. A fellow AudiogoNer's recent sale just arrived at my door, and I swapped it in. It's a McCormack Micro Phono Drive, and it's made a tremendous difference in this setup. (I also changed the cable from arm to preamp from Hero to King Cobra for length, but I truly doubt that's what I'm hearing.)
My point in posting all this is to say that I never expected such an assumedly minor part of the signal chain to make such a magnificent difference in the enjoyability of LP listening.
It took a pinched soundstage and made it full-bodied. It took a somewhat shrill and tinny, crackly high end and tamed it. It filled in the bass from 'there' to 'wow'. In short, it completely saved what I thought was a flawed and disappointing attempt at analog.
I was all ready to post a 'LP can't possibly beat CD, so what are you smokin'?' message, but this one, simple thing has changed my mind! 80s kids out there, don't lose hope! there really is something to this LP scene.
I'm an 80s kid; a product of the CD revolution. I enjoy my Slim Devices Transporter and all the convenience it delivers. However, I've felt that there's been something missing around music listening, and everyone's talking about analog anyway, so I took the plunge.
Imagine my disappointment when I set up my new 'table, wire it all up, and the first few albums sound flat, a little shrill and generally thin compared to a good rip of the same music off of CD.
I chalk all this up to break-in, to everything in the signal chain from the cartridge to the amp being new and untested. I'm also new at this, and have never set up a tonearm in my life (my goodness, it's a fiddly exercise).
I give it 20 hours of playing time or so, forcibly choosing not to judge. I wait patiently for everything to work in. Still, I find most recordings of everything from Pop & Rock to The Firebird Suite to be palatable and fine listening, but far from the nirvana of naturalness and organic ease everyone says is on LPs.
Well, friends, I think I've had one of those 'holy cow!' moments that come in audiophilia so rarely. A fellow AudiogoNer's recent sale just arrived at my door, and I swapped it in. It's a McCormack Micro Phono Drive, and it's made a tremendous difference in this setup. (I also changed the cable from arm to preamp from Hero to King Cobra for length, but I truly doubt that's what I'm hearing.)
My point in posting all this is to say that I never expected such an assumedly minor part of the signal chain to make such a magnificent difference in the enjoyability of LP listening.
It took a pinched soundstage and made it full-bodied. It took a somewhat shrill and tinny, crackly high end and tamed it. It filled in the bass from 'there' to 'wow'. In short, it completely saved what I thought was a flawed and disappointing attempt at analog.
I was all ready to post a 'LP can't possibly beat CD, so what are you smokin'?' message, but this one, simple thing has changed my mind! 80s kids out there, don't lose hope! there really is something to this LP scene.