@thezaks
Hi Dave, thanks for your input. Could you please tell me a bit more about the differences between the Plinius Odeon and the Krell Xd. Was it a Chorus or Theatre XD? Thanks
My Long List of Amplifiers and My Personal Review of Each!
@thezaks Hi Dave, thanks for your input. Could you please tell me a bit more about the differences between the Plinius Odeon and the Krell Xd. Was it a Chorus or Theatre XD? Thanks |
Hi all, first time poster from UK. What a fascinatingly detailed thread. Bravo whitecamaross! As here in the UK we are a bit behind in the Audiophile/HT area, I’m having to follow and research audiophile gear from American websites mainly. I am looking to you guys for some guidance and with all the experience on this thread, I’m pretty sure I’m in safe hands. A bit of background to set the scene. About 5 years ago I got the bug and ended up carefully cherry picking my setup for 60% HT 40% Music listening. Initially this is what I ended up with, sourced from USA, Belgium, Singapore, as this equipment wasn’t available in the UK: Anthem D2v Halcro MC50 Paradigm Signature Reference S8 v3 Paradigm Signature Reference C3 v3 Paradigm Signature Reference ADP v3 Paradigm Sub 2 I was over the moon with my purchase, but about a year ago, for certain reasons, sold the Halcro MC50 and the Sub 2. Now I have the itch again and want to get my system back up and running. I have been given the opportunity to purchase an EAD PM8300 (20amp version) to add to the above at around $1300. It's the 8 channel version. Is it worth it for a 10 year old amp? With no mainstream reviews and hardly many user reviews, I wanted your feedback on this amp please. Is it better than the Halcro MC50? Will it take my system to the next level? Seeing the D2v and Paradigms are very revealing, will it make for a good combo , in terms of soundstage, seperation, detailed highs and 3D effect for movies, excellent bass from S8 as do not have a sub anymore? Also it’s rated at 300wpc, whilst my speakers can take 250w continuous, would it be a good idea to biamp the LCR? Whitecamaross, have you come across the EAD PM8300/2000 and what is your verdict on the amp compared to the Pass Labs or the Pilinius Odeon? Where would it sit in your list of best amps? As you can appreciate amps like this are rare to come around, especially in the UK. Therefore I need help to make the right decision. If others have any experience, I would appreciate your insight as well. Thanks and much appreciated. |
Thanks whitecamaross. As with EAD, the ATI amps are very rare in the UK and my only option would be to buy from USA and use a Stepdown convertor, which may add its own noise. The EAD have been said to be one of the best amps available out there for any price. I just wanted to confirm that was the case. I also have been offered a cinepro 2k6 MkIII for less than $1000. Are these any good? Thanks |
Hi all, long time lurker wanting some help in finding the ultimate multi channel channel HT amp that is almost as good at stereo as the top amps you’ve listed from Pass labs etc. I thought about buying a seperate stereo amp or integrated, however due to lack of space and the Mrs, I have to stick to multichannel. Are there any better than: Krell Chorus 7200 XD Classe Delta Series (New) Mcintosh Legacy Audio i-V7 NAD M28
At the moment I have the EAD Power Master 8300 which I love but seeing if the tech has advanced considerably since its release. On paper spec wise the EAD still seems to outdo all these latest options. I know the specs aren’t the be all and end all, hence why I need some help in figuring all this out. People have also said its better than Pass Lab and Krell amps in their experience. I have attached the details of the EAD for you guys to compare spec and also the reviews for it from back in the day. Your support is appreciated. http://www.nobleelectronics.net/nob10.html Dynamic Power Steering: Because of the circuitry’s very low inter-channel cross talk, an extremely large power supply, including a 2000 VA Plitron transformer, with nearly 1/2 million microfarads of capacitance provides a huge reservoir of power, which can be tapped by any or all channels on an as-needed basis. Alternatively I could add a 3 channel amp which performs as good as the top stereo amps but with just one extra channel included. I feel as most of a movie soundtrack comes from the centre channel, so don't want to disregard that channel in pursuit of a top stereo amp, as then it will have little impact on movie soundtracks. Something like Krell 403e or Mark Levinson M533h come to mind. Very few available out there. Unless you guys can guide me to my best option. |
@carey1110 Thanks for your response. I already have an Acurus Act 4 which is on par with Mx170 so am looking for a better PA. This forum started as an amplifier comparison and review thread. Some of the early amplifiers reviewed by whitecross were multichannel PA, like the Krell and Plinius Odeon. After many years though, I was hoping there were some new multichannel PA’s available and with lack of availability here in the UK, was hoping some of the users on this thread can provide their opinions and experience of some of the newer PA’s which with the latest technology and advancement must have reached a similar sound quality as some of the best A/B class stereo amps from the yesteryears but across all channels. However the more I look into it, to get the best sound quality it is looking more likely to get a stereo amp for the fronts, but with the centre channel being the most important, I wanted the same quality feeding that as well. Therefore my choice has really been narrowed down to a handful of 3 channel amps, which I’m hoping are based on their best stereo amp but with an extra channel. Rather than a watered down version of their multi channel amp. Or a top stereo amp with a matching monoblock for the centre from the same manufacturer. Some of these class D amps are now starting to look like serious contenders as well. Guys, if you can help me with this, I would appreciate it a lot. The ecamples above were just some I was looking at. Thanks |
@ron17 In regards to the Classe amps, you are right, the new delta series are limited to stereo only, no multichannel. Which is a shame as they’ve got some rave reviews. I’ve always had a soft spot for them. I’ve got my beady eyes on a used pair of CA-M600 monoblocks at £7k ($8.5k). A bit over my budget of £5k ($6k). If I can get them for £5k I may reconsider. Also will leave the system incomplete as the centre channel will need a solution as well on top of that. |
Will those older Classe amps be any better than my EAD Power master 8300? Not sure they would be. Read the reviews link I posted to get an idea of what I mean. What I'm looking for is a significant jump up in sound quality from multichannel amps. So looks like it'll probably have to be 3x monoblocks or a 3 channel PA. Hence I posted here hoping there is a 3 channel amp that is as good as their stereo offering. Anyone?
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Thanks @jays_audio_lab , much appreciated. Just one thing, you mentioned the bass is a bit light on the Mark Levinson 533h. If you were to give the Pass Labs/JC1 a 90-100% for bass, then what score would you give the ML 533h? Can this be overcome with a pair of high performing subs (2x Monoprice Monolith 13" THX), EQ correction and room gain? Room is 21x12x8 ft. Also in your original post you went on to say the Plinius Odeon 7 was the best HT amp you heard. So a bit confused with your recommendation. Am I missing something? There's one used example available. Would the ML combo outdo the Plinius one box solution? |
Thanks for that input. 🙂 That's really interesting. I've read of amps distributing power to the channels on a when needed basis, but to turn off the channels all together is a great function. Wonder if their are any other multichannel amps that have this function? This also means I have the option to go with either the Krell 5200 or the 7200, knowing that function is available. Whichever turns up. I was hoping with advancement in technology would close the gap between multichannel and stereo amps. Can you explain a bit what the differences in sound is when you run all channels vs shutting down and running only stereo? Also, as Krell is an American brand, it is very difficult for me to get hold of a used example here in the UK. I wouldn't mind ordering from the states, but most of the amps are running on 120v whilst we run on 220-240v. That's a good question, are there any multichannel amps that run a universal voltage (110-240v)? Could be a great addition to this forums list of amps.
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