My list of tweaks and the verdict


As metro NY has been pretty much shut down for the past 11 months and counting, I get so bored sometimes that I find experimenting by buying tweaky audio products to be a helpful reprieve and keeps me from spiraling into the abyss.
So this is what I have purchased in the past 6 months and my quick verdict on sonic impact — what I hear or perceive to hear using my brain and ears in my 2 channel all analog all tube setup:

Not in any particular order and using baseball terms:

1. Walker Audio Talisman. Strikeout. A big swing and miss. The silliest purchase for sure.

2. Copper ankle socks. Home run. No more shocks when I touch my tonearm. Just wow. Least expensive tweak to date that works.

3. Symposium Segue amp shelves. Strikeout. Heard no difference in noise floor, bass, etc. But looks really nice.

4. Symposium Segue ISO Stealth turntable shelf with Rollerblocks Series 2. Home run. Out of the park. Really hear and SEE a significant improvement in everything - clarity, bass, soundstage. Took the performance of 2 very different turntables up a lot. “See” because my needle would jump sometimes and now you can actually see the rollerblocks doing their job swaying back and forth with no impact on the music like a building a Japan. Disclaimer: Room suffers from significant footfall.

5. Townshend Seismic Isolation Platform under my Harbeth 40.2 Ton Trager stands. Home Run. Further improvement due probably to serious footfall in my room. My most expensive tweak but worth it to me.

6. Stein Music Carbon Edition Perfect Interface. Another big swing and miss. Strikeout. Zero diff perceived vs no mat or stock mat. Most expensive swing and miss.

7. Yellow bird Hexmat. A solid double. First time I’ve heard a mat make a noticeable improvement. Probably cause this mat is a record isolator/decoupler and again reduces impact from vibrations.

8. Stillpoint Ultra LPI ver2. A solid double. This one is so easy to A/B and hear a noticeable improvement on some songs vs using no record weight or even the stock record weight. Basically things got quieter enabling me to turn up the volume which increased the perceived dynamics. Plus it looks really cool.

9. Symposium rollerblock jr. Under my phonostage or preamp. Strikeout. I don’t hear any impact on the noise floor but theoretically it’s there.

10. Isoacoustics Gaia tried under preamp, phonostage, amp. Strikeout. Didn’t hear anything noticeably different but again theoretically it’s doing something.

11. Assorted tube rolling. NOS, new new etc. Not sure if this is a tweak but I didn’t really hear any discernible difference to my memory. But it was fun to learn and do it.

Well there you have it! Anyone have similar experiences?


aj523

Showing 16 responses by aj523

I follow now I think lol.  I guess synergy, the weak link, and things like that can play a role here. 
Anyway I hope this is a helpful tool for others looking for tweaky improvements. 
Hi hilde45
Hard question for sure. But I feel like I have zero ego in this area and am being fully transparent to the extent my brain is allowing me to be. I had no problem saying to myself and to others as documented above that I wasted money and effort. Definitely have not willed anything to be “all that” when it ain’t!
Not entirely following your point in (b). My intention was not to state a product is worthless to everyone just to me. Certainly there is a law of diminishing returns here which could be the explanation. But like the Walker Talisman, my fiancée sees me waving it like a wand over my records and thinks I’m friggin nuts - I really wanted her to be wrong lol


@millercarbon
Thanks!! I’m a big Townshend fan so will be doing more tweaking with them for sure.
But I don’t love Nobsound springs cause they are undamped and their resonance frequency is much higher than my symposium stuff and they have rubber as a component which I’ve found to be a big no no due to it’s grounding effects which is of course counter intuitive when it comes to damping. 
But I’ll definitely check out Schumann generators looks interesting! Thanks again !!

@soundcheck6

Thanks !
I use Onzow zero dust stylus cleaner. I don’t think of that as a tweak though. But I will definitely look into the three recommendations you mention; unless of course the City opens up and returns to normal :)
@mijostyn

Thanks!! But Don’t underestimate a room with serious footfall even if the turntable is heavily isolated and well...heavy. Do some jumping jacks in my room and it simply doesn’t matter if the plinth and platter weigh 20 kilos or more each. Anyway, deductive reasoning is no fun when you’re hunkered down but I am learning.... :)




Thanks mijostyn but this thread isn’t really about my component choices but just my experience with various types of audio tweaks over the past few months and their impact, if any, on improving the hifi “brain to ear” experience in my existing audio room; being as objective and transparent as humanly possible. 

Cheers :)
@rsf507 
Very cool!  I have not taken it out of the system since I was done experimenting maybe 2-3 months ago. I guess I should!!  Btw when I told my dealer I wasn’t sure if I heard a difference or an improvement, he said buy another, but two more lol . Gotta love it 
I just bought 4 of the Nobsound branded Schumann generators from Amazon so I’ll get them Tuesday and they are returnable if they don’t work for me.    
OMG I can’t believe I forgot two additional tweaks! Too bad you aren’t allowed to update at least the original post.
Anyway for those that are following my (mis)adventures, I bought

12. Cardas audio rca noise cap covers for my preamp. Can not tell any difference even putting them on and off as music is playing but they were inexpensive and I feel they are protective in some way so I kept them on.

13. Ok don’t laugh but I also bought the $249 Furetech Clear-line plug. Thinking reputable company, smart engineers and Jesus it comes up in all social media feeds so I said wtf. 
Anyway I tried it first in my dedicated outlet and then in my Niagara 5000 on an empty outlet which shares the same bank as the amp. Classic snake oil? Hmmm This one is tricky. I feel like it does make a difference on the noise floor but subtle at best and probably my brain playing tricks. I could have returned it but I didn’t. Anyone else try this one, the marketing of it is everywhere lately.
Right ear to brain. It was a bad joke. Anyway since I have little interest in claiming what I have is the best or that any audio tweak that I spent money on must work, it simply comes down to what I’m hearing and if i think it sounds better than it doesn’t really matter if it’s real or some false perception. It’s only my sensory experience that matters here.
For the record clamp I had my son take the Stillpoint record clamp and the stock clamp which is about half the weight and I had him stand at the turntable and switch between them and none at all and it was really cool hearing when the music sounded best to me. He heard it too but he had knowledge I didn’t, although I didn’t tell him one cost like 5x the other lol. Anyway it was harder to replicate that with the Uber expensive Stein mat but I tried and for the life of me couldn’t hear a difference between it and no mat. Doesn’t mean it’s not there I just couldn’t hear it. But that hexmat wow but perhaps with a SOTA I wouldn’t have heard such a stark improvement in either the clamp or the mat.   Lots of fun regardless.
@audio2design

Yeah so I’d say the biggest bang for the buck is clearly around turntables and speakers for sure.
The Townshend podium under my harbeths was a revelation albeit an expensive ticket for entry. The fact that vibration control works under those doesn’t necessarily mean it didnt or doesn’t work under other electronics like an amp, preamp. In fact I’d say it likely does but in my case perhaps my particular brand of amp or preamp doesnt benefit, or I just didn’t hear it cause it was so subtle and not perceptible to me. I don’t have another source in this setup to try like a CD player but I suspect it would be improved.

Now one thing I didn’t mention is that I have the entire rig running through an Audioquest Niagara 5000 power conditioner which was my first significant upgrade - going from 3 wall outlets to just one thru this unit improved the entire sonic presentation, background noise dropped to a crazy silence, all those proverbial buzzwords comes to mind. I didn’t view that as a tweak though so didn’t include it. That’s an easy one to experiment with and hear an improvement. 
@lancelock 

Those were my exact thoughts - how is this going to work.  It may just be the most perfect union of mat and record weight because the favorable impact on the sound was quite noticeable.  So the hexmat works as an isolator suspending the record off the platter to reduce vibration while the Stillpoint is doing its thing pressing the record down onto the mat to reduce vibration but only on the label obviously where there are no contact points.  The website for Hexmat mentions that record weights don’t negatively impact it’s performance. 
@lowtubes. 
Well that’s all fine and good. I do have audiophile high end EQ’ed hearing aids (that’s a whole other thread on here) and  I think my tubes were pretty good to begin with which may be why.  And the other issue is that there was a lot of time in between — the next day kinda thing.