Musicality vs Transparency & Detail


I would like to get the opinions of forum members on this topic. As I work to develop my audio system I wonder if the goal of extreme detail retrieval will sacrifice musicality. How have you been able to achieve excellent detail retrieval without getting an etched fatigue inducing sound. As an example when I have read about Shindo equipment I have always come away feeling that it was not noted for detail retrieval but was high on the list of emotionally satisfying.
Jean Nantais who frequently post here seems to feel that ultimate desire for detail has sacrificed musicality. On the other hand Arthur Salvatore of high-endaudio feels that the ultimate goal is the retrieval of low level detail as his first priority.

Can one go to far in the quest for ultimate transparency and low level detail retrieval? Have you ever retreated in system development to equipment or cables with less detail because of listening fatigue? Look forward to your comments.
montepilot

Showing 2 responses by shadorne

How have you been able to achieve excellent detail retrieval without getting an etched fatigue inducing sound.

I found the solution was to go to pro studio speakers. Consumers designs are all designed to impress the listener in one extreme way or another - they are mostly looking for that "differentiating" factor to sizzle up the sound and stand out from the crowd or give good reason to buy this years model over last years model (different sound).

Audio engineers listen to music nearly all day, 8 hours a day five days per week. Audio engineers require detail and transparency in order to make precise adjustments. Audio engineers are often deeply familiar with the sounds of real instruments and musicality. Audio engineers want their productions to translate to other systems and therefore seek accuracy with the lowest amount of coloration possible from monitor systems. It is a "no brainer" that the most popular speakers used in pro audio mix and mastering studios are all of what you describe; musical, transparent, detailed and without being at all fatiguing to the ears. This not to say that studio speakers don't differ in sound from eachother - they do, however, consumer speakers are much more of an eclectic, eccentric, anachronistic mixed bag, as they cater to a such a broad market where being different is often more important than achieveing accuracy.

Are pro studio speakers right for everyone; probably not ....because they lack coloration or sizzle and certainly won't improve a bad recording, worse they will reveal a bad recording all to obviously.
Regarding speakers that are developed for monitoring purposes, I agree that there are some that are quite good, but then there are also clunkers like the Yamaha NS-10m.

Jcarr,

Absolutely agree a real clunker.

The purpose and popularity of the cheap Yamaha NS-10 in studios was to see how the mix or master would sound on a typical consumer system - how well the mix translated from high quality studio gear to what ordinary folk could afford. I'd forgotten that studios sometimes intentionaly try to replicate the sound of home audio. Good point.