Musicality" in a system? What IS that ?


I thought I would venture to bring a question in, the interest in which unites us all. What has happened, when we describe a system as "musical"? Is it just a subjective and passing state of mind, which fills us with joy as we listen and if so, what does it need for us to get there? System tweaking perhaps or rahter "ego tweaking" like good company, a good wine, a good cigar etc? Both perhaps? Or could there be objective criteria, which have to met for a system to attain this often elusive and volatile quality? I am convinced that there are...but to your mind, what are they?
detlof

Showing 2 responses by paulwp

Dynamic resemblance to live music. Gordon Holt said: "A personal judgment as to the degree to which reproduced sound resembles live music. Real musical sound is both accurate and euphonic, consonant and dissonant." (Stereophile, Aug. 1993) By euphonic he meant "pleasing to the ear," not necessarily sweetened. (Id.)

So why dont we just say "accurate?" Because, I think, we usually use the term accuracy to refer to tonality, but when we judge a component or system to be musical we are responding to its faithfulness to real life dynamics, more than tonality. The ability to track large and small, even tiny, changes in amplitude that give us the impression we are present at a musical event. As Jeffl implies, timing has a lot to do with it.
Frogman, we were both thinking the same thing at the same time. When I saw your comments, I thought, "rhythm, yeah that's the word I was missing."