Musical Fidelity a3.2 to 5.5 Integrated Amp Volume


I'm just curious if anyone can tell me why I'm experiencing lower volume output when I moved from the a3.2 which has about 120watt 8ohm power, to the a5.5 which has 250watt 8ohm power.

So I moved on to the a5.5 integrated after I found a good price for a used one thinking that I'd use the USB DAC, and the added benefit of a large power increase is usually a nice thing to have. I'm using the Totem Hawks which are 6ohms with @ 88db sensitivity. I went from usually just less than half on the volume knob with my a3.2 for maximum volume that I felt comfortable with, and now with the a5.5, I have to crank it well past half way mark with similar output in volume...

Is my mind playing tricks with me or is there something that I'm missing here, as I expected the volume to much greater considering my Hawks are at 6ohm power which is probably around the 300watt mark draw with this amp. It sounds nice though regardless, but I can't help but wonder why this was the case? ... or was the a3.2 really that good??
mdunko

Showing 4 responses by mdunko

oh I understand it's probably nothing to worry about, but can anyone explain why this is occurring? One would expect a power boost... especially considering it's basically twice the power.

Does the whole "made in England" vs "Taiwan" thing have anything to do with it perhaps?
I forgot to mention that I'm asking this because I'm debating whether to keep the 3.2 or 5.5 as they sound similar in quality (in fact, the 3.2 has better specs - wattage withstanding)
A5.5 input sensitivity is 330mV
A3.2 input sensitivity is 300mV

So just for the sake of understanding, the 30mV difference between the two is causing the change? That seems awfully marginal to account for the LACK of volume output the a5.5 has versus the a3.2

Side note: interesting to note how much lower the distortion is on the a3.2 versus the newer a5.5!
The only thing that was changed in my system was the integrated amplifiers between the two mentioned, which is why I just find it very interesting how such small variations can produce quite a difference.

With all that said and comparing new MF to old MF stuff, it comes as no surprise that the made in England gear that is made today, is only on the extreme high end side... I think I'm going to stay with the older less powerful a3.2 integrated now! Cheers Zd542!